The decoration of this Capitol is to be more elaborate and costly than that of any other public edifice in the United States. In mural decoration Miss Oakley will be associated with Edwin A. Abbey, but the Governor's room is to be her work entirely, and will doubtless occupy her during several years.
Mr Charles A. Caffin, in his article upon the exhibition of the New York Water-Color Club, January, 1904, says: "Miss Oakley has had considerable experience in designing stained-glass windows, and has reproduced in some of her designs for book covers a corresponding treatment of the composition, with an attempt, not very logical or desirable, considering the differences between paint and glass, to reproduce also something of her window color schemes.... But for myself, her cover, in which some girls are picking flowers, is far more charming in its easy grace of composition, choice gravity of color, and spontaneity of feeling. Here is revealed a very _naïve_ imagination, free of any obsessions."
<b>OCCIONI, SIGNORA LUCILLA MARZOLO.</b> Diploma of gold medal at the Women's Exhibition, Earl's Court, London, 1900. Born in Trieste. Pupil, in Rome, of Professor Giuseppe Ferrari.
This artist paints figure subjects, portraits, landscapes, and flowers, in both oils and water-colors, and also makes pen-drawings. Her works are in many private galleries. She gives me no list of subjects. Her pictures have been praised by critics.
<b>O'CONNELL, FREDERIQUE EMILIE AUGUSTE MIETHE.</b> Born in Potsdam. 1823-1885. She passed her early life in her native city, having all the advantages of a solid and brilliant education. She early exhibited a love of drawing and devoted herself to the study of anatomical plates. She soon designed original subjects and introduced persons of her own imagination, which early marked her as powerful in her fancy and original in her manner of rendering her ideas.
A picture of "Raphael and the Fornarina," which she executed at the age of fifteen, was so satisfactory as to determine her fate, and she was allowed to study art.
When about eighteen years old she became the pupil of Charles Joseph Begas, a very celebrated artist of Berlin. Under his supervision she painted her first picture, called the "Day of the Dupes," which, though full of faults, had also virtues enough to secure much attention in the exhibition. It was first hung in a disadvantageous position, but the crowd discovered its merits and would have it noticed. She received a complimentary letter from the Academy of Berlin, and the venerable artist Cornelius made her a visit of congratulation.