Mr. Russell has ceased to be a teetotal lecturer, and has become a stump orator for the Unionist party, but the scent of the teetotal platform hangs round him still. He yells, bellows, and twists himself about, puts all his statements with ridiculous exaggeration--altogether, so overdoes the part that it is only the wildest and emptiest Tory who is taken in by him. What spoils the whole thing to my mind is that it is all so evidently artificial--so palpably pumped up. Clapping his hand on his breast, lifting his shaky fingers to Heaven, Mr. Russell is always in a frenzied protestation of honesty, of rugged and unassailable virtue, of bitter vaticination against the wickedness of the rest of mankind. No man could be as honest as he professes to be, and live. The whole thing would be exquisite acting if, underneath all this conscious exaggeration, you did not see the mere political bravo. You turn sometimes, and sicken as though you were at the country fair, and saw the poor raucous-throated charlatan eating fire or swallowing swords to the hideous accompaniments of the big drum and the deafening cymbal.
No--Mr. T.W. Russell is the mere play-actor. If you want one of the real actualities in the more sinister side of Irish life, look at and study Mr. Carson. It is he who winds up the debate on the commission of Mr. Justice Mathew--a debate made memorable by the ablest debating speech Mr. Morley has made in the whole course of his Parliamentary career. I see men talking to Mr. Carson that belong to an opposite side of politics. I confess that I never see him pass without an internal shudder. Just as the sight of an abbé gave M. Homais, in "Madame Bovary," an unpleasant whiff of the winding-sheet, there is something in the whole appearance of Mr. Carson that conveys to me the dank smell of the prison, and the suffocating sense of the scaffold. Do you remember that strange, terrible day in the "Dernière Incarnation de Vautrin," in which Balzac describes Vautrin's passage through the ranks of the gaol-birds and gaol officials among whom he had passed so much of his life? Above all, do you recall that final, and supreme, and awful touch in which, addressing consciously the handler of the guillotine, he professes to take him for the chaplain, and, bringing the poor executioner for once to confusion, is addressed with blushing face and trembling lips with the observation, "Non, Monsieur, j'ai d'autres fonctions"?