The train arrived about dusk, as the great electric lamps began to shine above the sea of white faces. To most the arrival was evident merely from the swaying of the dense human mass, from the cadence of the Garibaldian Hymn that rose into the air from thousands of throats. As room was made for the motor-car, one could see a slight figure, a gray face, swallowed up in the surging mass. Then the crowd broke on the run to follow the motor-car to the hotel on the Pincian where the poet was to stay. The newspapers said there were a hundred and fifty thousand people before the Regina Hotel in the Via Veneto and the adjacent streets. I cannot say. All the way from the Piazza Tritone to the Borghese Gardens, even to the Villa Malta where Prince von Bülow lived, the crowd packed, in the hope of hearing some words from the poet. The words of Mameli's "L'Inno" rose in the twilight air. At last the little gray figure appeared on the balcony above the throng....
It is impossible to give an adequate idea of the effect of what D'Annunzio said. His words fell like moulded bronze into the stillness, one by one, with an extraordinary distinctness, an intensity that made them vibrate through the mass of humanity. They were filled with historical allusions that any stranger must miss in part, but that touched the fibers of his hearers. He seized, as he had at Quarto, on the triumphant advance of the liberating Thousand and recounted the inspiring incidents of that day fifty years and more ago. As I stood in that huge crowd listening to the poet's words as they fell into the thirsty hearts of the people,--who were weary with too much negotiation,--I realized as never before that speech is given to man for more than reason. The words were not merely beautiful in themselves: they flamed with passion and they touched into flame that something of heroic passion in the hearts of all men which makes them transcend themselves. The crowd sighed as if it saw visions, and there rose instinctively in response the familiar strains of the Garibaldian Hymn.
Italy had found its voice! The poet did not speak of "compensations," a little more of Trent and Trieste, of a more strategic frontier. He stirred them with visions of their past and their future. He voiced their scorns. "We are not, we will not be a museum, an inn, a picnic ground, an horizon in Prussian blue for international honeymoons!... Our genius calls us to put our imprint on the molten matter of the new world.... Let there breathe once more in our heaven that air which flames in the prodigious song of Dante in which he describes the flight of the Roman eagle, of your eagle, citizens!... Italy is arming, not for the burlesque, but for a serious combat.... _Viva, viva Roma_, without shame, _viva_ the great and pure Italy!"