Christophe had written to him: he had been filled with enthusiasm for him, and had wept over his books: he wanted to set one of the peasant tales to music, and had asked for his authority, and had sent him his _lieder_. Tolstoy did not reply, any more than Goethe replied to Schubert or Berlioz when they sent him their masterpieces. He had had Christophe's music played to him, and it had irritated him: he could make nothing of it. He regarded Beethoven as a decadent, and Shakespeare as a charlatan. On the other hand, he was infatuated with various little pretty-pretty masters, and the harpsichord music which used to charm the _Roi-Perruque_: and he regarded _La Confession d'une Femme de Chambre_ as a Christian book....

"Great men have no need of us," said Christophe. "We must think of the others."

Jean-Christophe Journey's End — Part 72

"Who? The dull public, the shadows who hide life from us? Act, write for such people? Give your life for them? That would be bitter indeed!"

Jean-Christophe Journey's End — Part 72

"Bah!" said Christophe. "I see them as they are just as you do: but I don't let it make me despondent. They are not as bad as you say."

Jean-Christophe Journey's End — Part 72

"They are men, like myself. Why should they not understand me?...--And suppose they don't understand me, why should I despair? Among all the thousands of people there will surely be one or two who will be with me: that is enough for me, and gives me window enough to breathe the outer air.... Think of all the simple playgoers, the young people, the old honest souls, who are lifted out of their tedious everyday life by your appearance, your voice, your revelation of tragic beauty. Think of what you were yourself when you were a child! Isn't it a fine thing to give to others--perhaps even only to one other--the happiness that others gave you, and to do to them the good that others did to you?"

"Do you really believe that there is one such in the world? I have come to doubt it.... Besides, what sort of love do we get from the best of those who love us? How do they see us? They see so badly! They admire you while they degrade you: they get just as much pleasure out of watching any old stager act: they drag you down to the level of the idiots you despise. In their eyes all successful people are exactly the same."