It would be a mistake to read into the idea of the love-death a rejection of the European view of life, a denial of the world-feeling of personality, and a victory of the impotent philosophy of the East which exalts non-existence above existence (that is to say, individual existence). For the essence of the love-death is contained in the determination of personality to realise itself in a new and positive form of existence. It is felt as the final synthesis, exactly as (in other spheres) the union of the ideal with the personal is seen as the perfection of human life. How would it be possible at once to annihilate and to transcend the individual soul, the source of personal love, if this soul were not first presupposed as the essential and supreme value? Where personal love does not exist, as in the Orient and Japan, the thought of the love-death would be an absurdity. The burning of Indian widows is a phenomenon widely differing from the love-death. The Indian widow slavishly abandons a life which has become aimless through her master's death; she does not make a sacrifice in the true sense of the word, and is not actuated by love.
The complete unity of the lovers is possible on earth for a brief hour and it will, in most cases, satisfy erotic yearning. It can be realised in two ways: by the blissful rest of the lovers in each other, which silences all desires and apparently robs time of its tyranny.
The heart is still, and nothing can disturb The deepest thought, the thought to be her own.
Close around me, wondrous being, Wind thy magic veil oblivion, All my heart from unrest freeing, Let there be untroubled calm.
Give me peace; the helter skelter Of the wide world has gone by; And this narrow, silent shelter Holds the potent healing balm.
By the side of this idyllic consummation of the longing for love, there is the other, the ecstatic consummation of mutual rapture. It almost blots out individual consciousness in the singly (no longer doubly) felt, body and soul entrancing ecstasy; it is such sheer delight that pleasure is no longer perceived as a distinct element, but rather is there the consciousness of a complete transformation of life. Pleasure, which, a great psychologist maintains, "craves eternity" is annihilated in its perfection, knows no more of itself, and is a part of the lovers' sense of complete unity. It does not "crave eternity"; such a craving is its last stage but one, the outer court (further than which Nietzsche as far as eroticism is concerned never penetrated); in the innermost sanctuary pleasure disappears; it has no longer any meaning, it becomes void before the new consciousness. The supreme ecstasy of great love proves that the summit of human emotion is beyond pleasure and pain, and does not acknowledge the limitations of bodily existence. Thus, of necessity, the rapture of love must engender the idea of its own eternity, the destruction of individual consciousness. I will quote in this connection a few verses by Erika Rheinsch: