"Orl rite, guv'nor, but it's my job. Don't yer 'member me larst tyme? Yer said I 'eld it steady and yer give me a copper."
"I got 'ere fust"--shrilly, from the other.
"There, there, my lad, give it up. This boy usually holds it. No struggling, please. That's better. You can help with the harmonium afterwards if you like."
(The smaller boy recedes into the background snuffling. Throughout the first part of the meeting he is trying to kick the elder, jar the lantern, or otherwise molest its holder. After the second hymn, Edith intervenes with a penny. The smaller boy exits triumphantly.)
Paul, from his somewhat rickety chair, surveyed the little scene with a definite sense of exultation in his heart. The last trace of nervousness dropped from him with his first half-dozen sentences. He had the voice of an orator, a singularly attractive, arresting voice, that penetrated easily the furthest recesses of the Court and even brought in a few passers-by from the street. The only son, he was, as his parents often told him, the child of prayers, and he was named Paul that he might be an apostle. He would have been a dreadful prig if he had not been so tremendously convinced and in earnest. Radiant on that mission chair beneath the garish lamp-light, he bared his head and lifted his eyes to the heavens above him. Had they opened, with a vision of the returning Christ escorted by the whole angelic host, he would quite honestly not have been surprised; indeed, if anything, he was often surprised that they did not. Christ waited there as surely as he stood beneath to pray and preach. His young enthusiasm, his vital faith, stirred the most commonplace of the little group about him, and no wonder, for he added to it an unconscious and undeveloped but undoubted power. To-night, the last night of the series, the last night, perhaps, for ever there, he drew on all his gifts to the utmost. It was small wonder that such as Hilda came to listen and such as Mrs. Reynolds stayed to pray. There fell even on Theodore Derrick a sense that the Acts of the Apostles might after all be true.
They began by singing "Tell me the old, old story." Before the hymn was half over Paul had his audience under his influence as if they had been little children and he a beloved master, or an orchestra and he the efficient conductor. He laughed at them for not singing. He made them repeat the chorus in parts, women a line, men a line, children a line, and then the last line all together. He made them triumph it to God, and then whisper it to their own hearts. He stayed them altogether impressively, and would not have those sing who could not say whole-heartedly: