A little beyond where the double line of rocks ended, I saw a round tower of unusual height with machicolations and embattlements, in apparently perfect preservation, rising from the midst of what once must have been a fortress of great strength, which on the side of the river had no need of a moat, for it was there defended by the escarped rock, to the edge of which the outer ramparts were carried. This was the castle of Bourdeilles, the seat of the family of which the Abbé de Brantôme was a younger son. I was soon able to get a closer view of it. It is one of the most instructive remnants of feudalism in Périgord, and one of the most picturesque, by the contrast of its great gloomy keep and frowning ramparts with the peaceful beauty of the valley below. The tall _donjon_, 130 feet high, and most of the outer wall, are of the fourteenth century. The inner wall encloses a sixteenth-century mansion, marked with none of the picturesqueness of the Renaissance period, but heavy and graceless. In the interior, however, are sculptured chimney-pieces and other interesting details. This residence was built by the sister-in-law of Pierre de Bourdeilles. The burg itself, which lies close to the castle and is much embowered with trees, has something of the open, spacious, and decorative air of Brantôme. It tells the stranger that it has known better days. The broad terrace, planted with trees so as to form a _quinconce_, where the people stroll and gossip in the summer evenings, is quite out of keeping with a little place that has scarcely more than a thousand inhabitants.
Near the castle gateway is the 'Logis des Sénéchaux,' a small building of the fifteenth century with turrets capped by extinguisher like roofs, and within a stone's throw of this is a small church, dating from the twelfth century, the artistic interest of which has been lamentably deteriorated by renovation and scraping. The influence of the Byzantine cathedral that rose in the old Roman city by the Isle spread far, and numerous churches in Périgord bear witness to the imitative zeal which it inspired, especially in the application of domes to the vaulting of the nave. This arrangement is frequently to be found in connection with the pointed arch, and such is the case at Bourdeilles. The apse is beautiful, with its five tall windows and its columns with Corinthian capitals in the intervening wall spaces. Although the church is in no style that is recognised as pure, it is typical of one that has been developed in the district, and which is by no means without grace; but the scraping that it has undergone has robbed it of the proper tint and tone of its age, and the ideal interest that belongs to this.