A strong resemblance between Richard de Beauchamp and Guy of Warwick is evident. Is it not probable that this similarity was to some degree instrumental in causing Martorell to give the William of Warwick episode a setting of the fifteenth century? There are several references made to deeds of William of Warwick which cannot be found in the English romance, _Guy of Warwick_. One of them, however, concerns without doubt Richard de Beauchamp. When the hermit-king told the countess where the arms were that he desired, she begged him to reveal to her how he happened to know so much about her husband. He answered that he was with the earl when the latter, as Capita Major of the city of Rouen, won a signal victory over the large army of the French king. Richard de Beauchamp was a popular hero, and if Martorell had been in England, as he claims in his dedicatory letter, he might have heard of many feats of the great knight and soldier that are not recorded in history. However, we have already learned the method of our author, and we must not expect too many historical data on any subject. But, as a rule, he gives us sufficient real facts to determine what events or periods in history he has in mind. Other historical personages cited in connection with the William of Warwick episode are the Earl of Salisbury, the Earl of Northumberland, the Duke of Clarence, and the Prince of Wales. These names also indicate that the historical period represented is the first half of the fifteenth century.
When Tirant asked the hermit to name the greatest living knights in England, the latter gave the names of Sir John Stuart and the Duke of Exeter. History mentions but one great knight named John Stuart, and he was of this period. From 1419 to the time of his death in 1429, Sir John Stuart of Darnley was fighting valiantly on the continent on the side of the French. Charles VII appreciated his worth, and rewarded him several times: first he granted him the seigneurie of Aubigny in Berry, next the comté of Evreux in Normandy, and finally the “glorious privilege of quartering the Royal arms of France with his paternal arms of Stuart.” He fell fighting bravely in a battle near Orleans. In the well-known old French play, “Le Mistère du Siège d’Orléans,” written some time after his death, the following tribute is paid to him: