The clock tower in the city of Razgrad, northeastern Bulgaria, is about high and dates to the Ottoman era.

It is among the vast number of clock towers spreading in Bulgaria after the rise of the first clock towers in the Western Balkans during the second half of the 16th century, the earliest evidence of which was the clock tower in Plovdiv in 1611. The clock towers in Bulgaria performed multiple tasks as they were used not only for timekeeping, but for signaling danger and fire emergency, and as watch towers for military purposes and defense. In the 18th, and especially the 19th, centuries, these towers served mainly craftsmen and traders in their efforts to keep work hours in check to prevent competition and work exploitation.

Razgrad clock tower

Dating of the clock tower

In the stead of the present-day clock tower in Razgrad once there was a different one ending with a steeple in a Gothic style (Yavashov 1930:100), evidence of whose existence was recorded by the German explorer in the service of Denmark Carsten Niebuhr, who visited the town on 22 June 1767. Niebuhr's statement about the clock tower in Razgrad is quite impressive, given the fact that on his journey through ‘’Egypt, Arabia, India, and all over Turkey from Basra to the Balkans” he came upon a clock tower only in Razgrad.

Razgrad clock tower

For lack of more accurate information, the issue of the precise dating of the tower remains open. However, it can be inferred that the structure was built between 1651 and 1767, or, in other words, between the years marking the visits of Evliya Çelebi and Carsten Niebuhr to the town. That, in turn, means that the tower must have been built either in the second half of the 17th century, that is, after the visit of Evliya Çelebi, whose travelogue did not include a mention of the tower, or in the first half of the 18th century, that is, before the visit of C. Niebuhr.

Razgrad clock tower

In 1864 the governor (vali) of Ruse and Ottoman reformer Midhat Pasha tore down the old tower and built in its place the present-day one. The designer and constructor of the rebuilt tower was the famous mason Todor Tonchev, born in the tiny mountain hamlet of Durcha near Tryavna. After the Liberation of Bulgaria from Ottoman rule (1878), Todor Tonchev moved to the village of Kalfa Dere (now Balkanski), where he built a church honoring St. Dimitar. The mason was buried in the local cemetery. According to a written source cited by L. Mikov in his article “The Clock Tower” included in the book "The Mosque of Ibrahim Pasha and ‘Ibrahim Pasha’ Mosque in Razgrad”, the stone blocks used for the construction of the tower were taken from the nearby village of Arnaut Kui (“Arnautkyoy’’, now Poroishte) as were the builders.

Present state

The present-day clock tower is high and consists of three main parts, two of which are made of stone; the third part is wooden and comprises the belfry. The stone parts represent a base and a body. They are constructed of smooth layers of limestone blocks bound together with a mixture of lime, sand, and water. The width of the masonry is . The body is tall. On every side, and at the same level in its upper part, there are windows at high and wide. Over every window there is a semi-circular arch containing a lunette. Nowadays, the stone relief forming a crescent in the middle of the lunette does not exist, likely removed after restorations done to the tower in 1998. In addition to the windows, the inside of the building is also lit and aired through embrasures typical of most towers and minarets alike.

The wooden part, known as "frame-built", represents a belfry at high. It incorporates a boarded-up octagonal base and a dome cover supported by columns. The 1,65 m high dome is lined with sheet iron and consists of eight elements. The horizontal ceiling inside it holds the bell. The northern and southern sides of the belfry each have a clock face mounted on them. The clock mechanism is located at the base of the tower next to a wooden staircase leading to the clock face and the bell. Once the dome of the belfry ended with an ornament (alem) representing the image of a crescent. Today this alem is replaced with a metal ring, probably in result of the 1998 renovation of the tower. Hence, the inference that the religious sign on the dome shaped in a half moon was preserved until the end of the 20th century since the time of its installation in 1864, when the tower was rebuilt on the initiative of Midhat Pasha and by Master Todor Tonchev.