What then, we may ask ourselves, were the aim and desire of the Italian builders, which it seems have escaped us for so long? If we turn to the builders of antiquity and seek for their intention in what remains to us of their work, we shall find, I think, that their first aim was before all things to make the best building they could for a particular purpose, and to build that once for all. And out of these two intentions the third must follow; for if a temple, for instance, were both fit and strong it would be beautiful because the purpose for which it was needed was noble and beautiful. Now the first necessity of the basilica, for instance, was space; and the intention of the builder would be to build so that that space should appear as splendid as possible, and to do this and to enjoy it would necessitate, above all things, light,--a problem not so difficult after all in a land like Italy, where the sun is so faithful and so divine. Taking the necessity, then, of the Italian to be much the same as that of the Roman builder when he was designing a basilica,--that is to say, the accommodation of a crowd of people who are to take part in a common solemnity,--we shall find that the intention of the Italian in building his churches is exactly that of the Roman in building his basilica: he desires above all things space and light, partly because they seem to him necessary for the purpose of the church, and partly because he thinks them the two most splendid and majestic things in the world.

Well, he has altogether carried out his intention in half a hundred churches up and down Italy: consider here in Florence S. Croce, S. Maria Novella, S. Spirito, and above all the Duomo. Remember his aim was not the aim of the Gothic builder. He did not wish to impress you with the awfulness of God, like the builder of Barcelona; or with the mystery of the Crucifixion, like the builders of Chartres: he wished to provide for you in his practical Latin way a temple where you might pray, where the whole city might hear Mass or applaud a preacher. He did this in his own noble and splendid fashion as well as it could be done. He has never believed, save when driven mad by the barbarians, in the mysterious awfulness of our far-away God. He prays as a man should pray, without self-consciousness and not without self-respect. He is without sentiment; he believes in largeness, grandeur, splendour, and sincerity; and he has known the gods for three thousand years.

Florence and Northern Tuscany with Genoa — Part 120