Is not yon lingering orange after-glow That stays to vex the moon more fair than all Rome’s lordliest pageants! strange, a year ago I knelt before some crimson Cardinal Who bare the Host across the Esquiline, And now—those common poppies in the wheat seem twice as fine.
The blue-green beanfields yonder, tremulous With the last shower, sweeter perfume bring Through this cool evening than the odorous Flame-jewelled censers the young deacons swing, When the grey priest unlocks the curtained shrine, And makes God’s body from the common fruit of corn and vine.
Poor Fra Giovanni bawling at the Mass Were out of tune now, for a small brown bird Sings overhead, and through the long cool grass I see that throbbing throat which once I heard On starlit hills of flower-starred Arcady, Once where the white and crescent sand of Salamis meets sea.
Sweet is the swallow twittering on the eaves At daybreak, when the mower whets his scythe, And stock-doves murmur, and the milkmaid leaves Her little lonely bed, and carols blithe To see the heavy-lowing cattle wait Stretching their huge and dripping mouths across the farmyard gate.
And sweet the hops upon the Kentish leas, And sweet the wind that lifts the new-mown hay, And sweet the fretful swarms of grumbling bees That round and round the linden blossoms play; And sweet the heifer breathing in the stall, And the green bursting figs that hang upon the red-brick wall,
And sweet to hear the cuckoo mock the spring While the last violet loiters by the well, And sweet to hear the shepherd Daphnis sing The song of Linus through a sunny dell Of warm Arcadia where the corn is gold And the slight lithe-limbed reapers dance about the wattled fold.
It was a dream, the glade is tenantless, No soft Ionian laughter moves the air, The Thames creeps on in sluggish leadenness, And from the copse left desolate and bare Fled is young Bacchus with his revelry, Yet still from Nuneham wood there comes that thrilling melody
So sad, that one might think a human heart Brake in each separate note, a quality Which music sometimes has, being the Art Which is most nigh to tears and memory; Poor mourning Philomel, what dost thou fear? Thy sister doth not haunt these fields, Pandion is not here,