The enemy did not return that night, the moon gave too clear a light. But a few evenings later, when the sky was covered with soft clouds, there was an alarm and the guns mounted on the palace roofs began again bombarding the heavens. This time the darkness was shot by comet-like flashes of light, and the exploding shells gave a strange pyrotechnic aspect to the battle in the air. Again the enemy fled across the Adriatic without having done any special damage. Only a few old houses in the poorer quarter near the arsenal were crumbled to dust.

Since that first week of the war the aeroplane attacks upon Venice have been repeated a number of times, and though the bombs have fallen perilously near precious things, until the Tiepolo frescoes in the Scalsi church were ruined, no great harm had been done. The military excuse--if after Rheims and Arras the Teuton needed an excuse--is the great arsenal in Venice. The real reason, of course, is that Venice is the most easily touched, most precious of all Italian treasure cities, and the Teuton, as a French general said to me, wages war not merely upon soldiers, but also upon women and children and monuments. It is vengefulness, lust of destruction, that tempts the Austrian aeroplanes across the Adriatic--the essential spirit of the barbarian which the Latin abhors.

The World Decision — Part 50

There are some things in this world that can never be replaced once destroyed, and Venice is one of them. And there are some things greater than power, efficiency, and all _kaiserliche Kultur_. Such is Italy with its ever-renewed, inexhaustible youth, its treasure of deathless beauty. As I passed through the fertile fields on my way from Venice to Milan and the north, I understood as never before the inner reason for Italy's entering the war. The heritage of beauty, of humane civilization,--the love of freedom for the individual, the golden mean between liberty and license that is the Latin inheritance,--all this compelled young Italy to fight, not merely for her own preservation, but also for the preservation of these things in the world against the force that would destroy. The spirit that created the Latin has not died. "We would not be an Inn, a Museum," the poet said, and at the risk of all her jewels Italy bravely defied the enemy across the Alps. This war on which she had embarked after nine long months of preparation is no mere adventure after stolen land, as the Germans would have it: it is a fight unto death between two opposed principles of life.

The World Decision — Part 50