Night began to shroud Phoebus with her humid pall and shed her blue darkness o'er the earth. He drew nigh the forest, and from a high knoll espied the gleam of warriors' shields and plumed helmets, where the boughs of the wood left a space, and in the shadow before him the quivering fire of the moonbeam played o'er their brazen armour. Dumbstruck at what he saw, he yet pursued his way, only he made ready for the fight his bristling javelins and the sword sheathed to its hilt. He was the first to speak: 'Whence come ye?' he asked, in fear, yet haughty still. 'And why hide ye thus armoured for the fray?' There came no answer, and their ominous silence told him no peace nor loyalty was there.

The fight that follows, though it occupies more than 160 lines, is intensely rapid and vigorous; indeed it is the one genuinely exciting combat in Latin epic, and forms a refreshing contrast to the pseudo-Homeric or pseudo-Vergilian combats before the walls of Thebes. In no other portion of the _Thebais_ does Statius attain to such success, with the exception of the passage already quoted descriptive of the death of Amphiaraus. But there are other passages of sustained merit, such as the vigorous description of the struggle of Hippomedon with the waters of Ismenus and Asopus.[5671] While it is not particularly interesting to those acquainted with the corresponding passage in the _Iliad_, it would be unjust to deny the gifts of vigour and invention to the Latin poet's imitation.

Post-Augustan Poetry — Part 134

It is, however, rather in smaller and more minute pictures that Statius as a rule excels. The picture of the baby Opheltes left by his nurse is pretty enough (iv. 787):

Post-Augustan Poetry — Part 134

at puer in gremio vernae telluris et alto gramine nunc faciles sternit procursibus herbas in vultum nitens, caram modo lactis egeno nutricem plangore ciens iterumque renidens et teneris meditans verba inluctantia labris miratur nemorum strepitus aut obvia carpit aut patulo trahit ore diem nemorisque malorum inscius et vitae multum securus inerrat.

Post-Augustan Poetry — Part 134

But the child, lying face downward in the bosom of the vernal earth, now as he crawls in the deep herbage lays low the yielding grass; now cries for his loved nurse athirst for milk, and then, all smiles again, with infant lips frames words in stumbling speech, marvels at the sounds of the woods, gathers what lies before him, or open-mouthed drinks in the day; and knowing naught of the dangers of the woods, with ne'er a care in life, roams here and there.