At times some simple air, or even a single chord of unusual, but apparently obvious harmony, will haunt us with a peculiar sweetness, producing a soothing, gentle sadness, as though we listened to distant bells, whose music is borne in surges on the breeze that sways the golden corn on a sunny Sabbath, when our pathway lies through the undulating fields, already "white unto the harvest;" where the pleasant rustling of the ripened grain, as it is stirred by the soft wind, is sweet and soothing; and the gay poppy, and other less obtrusive, though not less beautiful wild-flowers, bloom at our loitering feet. In the power of exciting such feeling, what can equal our old English ballads? There is an inexpressible charm in these, and we would almost give our fingers to be able to describe that indescribable _something_, which constitutes their peculiar fascination and power over the imagination. Most plain, most artless, does their composition appear; like the natural out-breathing of the heart in its sunny moments; and yet--as with all earthly brightness--with a trace of cloud on that sunshine. They are redolent of the "olden time;" and as they fall softly on the ear, the antique hall, with its groined roof, and mullioned window, glowing with rich heraldic devices, through which the many-tinted lights fall tenderly on arch and pillar, and elaborately fretted walls, studded with ancestral armour, rises up before us; and with the melting tones of the lute, mingles the low, clear voice of a gentle maiden, whose small foot and brocaded train are just seen from behind yonder deeply sculptured oaken screen. What innocence is in that voice! and how expressive are the chords that accompany it--less elaborate and fantastic, perchance, than might win favour in our vitiated ears; but natural, harmonious, full, and in exquisite subordination to the air, which they fill up and enrich, instead of overpowering with misplaced beauty.
And now a movement of the singer reveals still more of the quaint, beautiful costume, with its heavy, yet graceful folds, while--aha! what else do we see?--a plumed hat thrown carelessly on the ground; the armed heel, glittering rapier, and slashed sleeve, just visible, betokening that its owner is not far off, and that the lady fair has not, as we had thought, been wasting her sweetness, either of voice or countenance, on that comfortable-looking pet dog or caged linnet. Sing on, pretty one! for well do gallant knights love to hear their stern deeds sung by innocent lips; and _right well_, to listen to the strain that tells how the heart of "lady-bright" is won by noble daring. But what means that sudden break in the song, and the confused sweep of the strings, as though the lute had slipped from its owner's grasp; while the masculine paraphernalia which we had just discovered disappears altogether behind that most impervious and curiosity-mocking screen? No great harm done, or that light laugh had not escaped the lips so suddenly silenced; and the offending cavalier is doubtless forgiven on the spot, as they amicably retreat to that deep oriel, framed apparently for the express purpose of excluding _intrusionists_ like ourselves, who would fain follow, where, it is evident, we are marvellously little wanted! Well, well!--maidens will be maidens, we trow, and lovemaking in the olden time is, we suppose, after all, vastly like the same performance by more modern actors. Leave we them to their light-heartedness:--and yet we could linger long in this ancient chamber,