"When the morn is on the sky, Hark the gay _reveillé_ rings! Glory lights the soldier's eye, To the gory breach he springs, Plants his colours on the wall Wins and wears the _croix_--that's all!"
The dashing style in which this hereditary song of the French camp was given by "Colonel Alexandre Jules Cæsar" of the "brave battalion of the Marais," his capitally awkward imitation of the soldier of the old _régime_, and his superb affectation of military nonchalance, were so admirable, that his song excited actual raptures of applause. His performance was encored, and he was surrounded by a group of nymphs and graces, among whom his towering figure looked like a grenadier of Brobdignag in the circle of a Liliputian light company. He carried on the farce for a while with great adroitness and animation; but at length he put the circle of tinsel and tiffany aside, and rushing up to me, insisted on making me a recruit for the "brave battalion of the Marais." But I had no desire to play a part in this pantomime, and tried to disengage myself. One word again made me a captive: that word was now "Lafontaine;" and at the same moment I saw the sylph bounding to my side. What was I to think of this extraordinary combination? All was as strange as a midsummer night's dream. The "colonel," as if fatigued, leaned against the pillar, and slightly removing his mask, I saw, with sudden rejoicing, the features of that gallant young friend, whom I had almost despaired of ever seeing again. "Wait in this spot until I return," was all that I heard, before he and the sylph had waltzed away far down the hall.
I waited for some time in growing anxiety; but the pleasantry of the night went on as vividly as ever, and some clever _tableaux vivants_ had varied the quadrilles. While the dancers gave way to a well-performed picture of Hector and Andromache from the _Iliad_, and the hero was in the act of taking the plumed helmet from his brow, with a grace which enchanted our whole female population, an old Savoyard and his daughter came up, one playing the little hand-organ of their country, and the other dancing to her tamborine. This was pretty, but my impatience was ill disposed to look or listen; when I was awakened by a laugh, and the old man's mask being again half turned aside, I again saw my friend: the man moved slowly through the crowd, and I followed. We gradually twined our way through the labyrinth of pillars, leaving the festivity further and further behind, until he came to a low door, at which the Savoyard tapped, and a watchword being given, the cell was opened. There our robes and masks were laid aside; we found peasant dresses, for which we exchanged them; and following a muffled figure who carried a lantern, we began our movements again through the recesses of the endless building. At length we came to a stop, and our guide lifting up a ponderous stone which covered the entrance to a deep and dark staircase, we began to descend. I now for the first time heard the cheerful voice of Lafontaine at my side. "I doubt," said he, "whether a hundred years ago any one of us would have ventured on a night march of this kind; for, be it known to you, that we are now in the vaults of the convent, and shall have to go through a whole regiment of monks and abbots in full parade." I observed that, "if we were to meet them at all, they would be less likely to impede our progress dead than alive;" but I still advised Lafontaine to allude as little as he could to the subject, lest it might have the effect of alarming our fair companion. "There is no fear of that," said he, "for little Julie is in love with M. le Comte, our gallant guide; and a girl of eighteen desperately in love, is afraid of nothing. You Englishmen are not remarkable for superstition; and as for me and my compatriots, we have lost our reverence for monks in any shape since the taking of the Bastile."