On the whole, this bringing-forth of Sir John rather for exposure than for exhibition is not altogether grateful to those whom he has so often made to "laugh and grow fat." Though he still gives us wholesome shakings, we feel that it costs him too much: the rare exhilaration he affords us elsewhere, and even here, invests him with a sort of humorous reverence; insomuch that we can scarce help pitying even while we approve his merited, yet hardly merited, shames and failures. Especially it touches us something hard that one so wit-proud as Sir John should be thus dejected, and put to the mortification of owning that "ignorance itself is a plummet o'er me"; of having to "stand at the taunt of one that makes fritters of English"; and of asking, "Have I laid my brain in the sun, and dried it, that it wants matter to prevent so gross o'er-reaching as this?" and we would fain make out some excuse for him on the score of these slips having occurred at a time in his life when experience had not yet disciplined away the natural vanity which may sometimes lead a man of genius to fancy himself an object of the tender passion. And we are the more disposed to judge leniently of Falstaff, inasmuch as his merry persecutors are but a sort of decorous, respectable, commonplace people, who borrow their chief importance from the victim of their mischievous sport; and if they are not so bad as to make us wish him success, neither are they so good that we like to see them thrive at his expense. On this point Mr. Verplanck, it seems to me, has spoken just about the right thing: "Our choler would rise, despite of us, against Cleopatra herself, should she presume to make a dupe and tool of regal old Jack, the natural lord and master of all about him; and, though not so atrociously immoral as to wish he had succeeded with the Windsor gypsies, we plead guilty to the minor turpitude of sympathy, when he tells his persecutors, with brightening visage and exultant twinkle of eye, 'I am glad, though you have ta'en a special stand to strike at me, that your arrow hath glanced.'"

There is, however, another and perhaps a more instructive view to be taken of Sir John as here represented. I shall have occasion hereafter to note how, all through the period of _King Henry the Fourth_, he keeps growing worse and worse, while the Prince is daily growing better. Out of their sport-seeking intercourse he picks whatever is bad, whereas the other gathers nothing but the good. As represented in the Comedy he seems to be in the swiftest part of this worsening process. At the close of the First Part of the History, the Prince freely yields up to him the honour of Hotspur's fall; thus carrying home to him such an example of self-renouncing generosity as it would seem impossible for the most hardened sinner to resist. And the Prince appears to have done this partly in the hope that it might prove a seed of truth and grace in Falstaff, and start him in a better course of life. But the effect upon him is quite the reverse. Honour is nothing to him but as it may help him in the matter of sensual and heart-steeling self-indulgence. And the surreptitious fame thus acquired, instead of working in him for good, merely serves to procure him larger means and larger license for pampering his gross animal selfishness. His thoughts dwell not at all on the Prince's act of magnanimity, which would shame his egotism and soften his heart, but only on his own ingenuity and success in the stratagem that led to that act. So that the effect is just to puff him up more than ever with vanity and conceit of wit, and thus to give a looser rein and a sharper stimulus to his greed and lust; for there is probably nothing that will send a man faster to the Devil than that sort of conceit. The result is, that Falstaff soon proceeds to throw off whatever of restraint may have hitherto held his vices in check, and to wanton in the arrogance of utter impunity. As he then unscrupulously appropriated the credit of another's heroism; so he now makes no scruple of sacrificing the virtue, the honour, the happiness of others to his own mean and selfish pleasure.

Shakespeare: His Life, Art, And Characters, Volume I. — Part 217