=LYSIAS.= 4th century B.C. =Greek orator.=
ORATIONS OF LYSIAN AND ISOCRATES, WITH SOME ACCOUNT OF THEIR LIVES, AND A DISCOURSE ON THE HISTORY, MANNERS, AND CHARACTERS OF THE GREEKS. _Tr._ John Gillies, 1778.
GUEST, LADY CHARLOTTE. _Ed._ and _Tr._, Mabinogion, fr. Llyfr Coch o Hergest and other MSS. 3 v. 1838-49.
=MACHIAVELLI, NICCOLO DI BERNARDO DEI.= _b._ 1469, _d._ 1527. =Italian statesman, diplomatist and writer.=
THE ARTE OF WARRE, set forth in English by Peter Whitehorne, with an addicion of other like Marcialle Feates and Experiments, 1560.
A DISCOURSE UPON THE MEANES OF WEL GOVERNING AND MAINTAINING IN GOOD PEACE, A KINGDOME OR OTHER PRINCIPALITIE ... AGAINST N. MACHIAVELLL [By I. Gentillet]. _Tr._ by S. Patericke, 1602.
THE FLORENTINE HISTORIE. _Tr._ by T(homas) B(edingfield), 1594.
NICOLAS MACHIAVELL'S PRINCE. Also, THE LIFE OF CASTRUCCIO OF LUCCA. AND THE MEANES DUKE VALENTINE US'D TO PUT TO DEATH V. VITELLOZZO, ETC. _Tr._ by E(dward) D(acres), 1640.
Of the works of M., 'The Prince' was the most widely read.
=MAETERLINCK, MAURICE.= _b._ 1864. =Belgian dramatist.=
ALLADINE AND PALOMIDES, INTERIOR, AND THE DEATH OF TINTAGILES. _Tr._ 1899.
THE DOUBLE GARDEN. _Tr._ by A. Teixeira de Mattos, 1904.
JOYZELLE. _Tr._ by A. Teixeira de Mattos, 1906.
LIFE AND FLOWERS. _Tr._ by A. Teixeira de Mattos, 1907.
LIFE OF THE BEE. _Tr._ by A. Sutro, 1901.
MAURICE AGLAVAINE AND SELYSETTE. A Drama. _Tr._ by A. Sutro, 1897.
MY DOG. _Tr._ by A. Teixeira de Mattos, 1906.
OLD-FASHIONED FLOWERS, AND OTHER OPEN-AIR ESSAYS. _Tr._ by A. Teixeira de Mattos, 1906.
PELLEAS AND MELISANDA. _Tr._ by Erving Winslow, 1893.
PRINCESS MALEINE (1890) AND THE INTRUDER. _Tr._ by G. Harry, 1892.
RUYSBROECK AND THE MYSTICS, WITH SELECTIONS. _Tr._ 1894.
SIGHTLESS, THE. _Tr._ with Pelleas and Melisanda [_tr._ 1893]. 1895.
SISTER BEATRICE, AND ARDIANE AND BARBE BLEUE. _Tr._ by B. Miall, 1901.
TREASURE OF THE HUMBLE. _Tr._ by A. Sutro, 1897.
WISDOM AND DESTINY. _Tr._ by A. Sutro, 1898.
'On the appearance of "The Princess Maleine" in 1890, the author, hitherto known only to a small circle of amateurs, at once sprang into fame on the continent.... As a brooding poet, a mystic, and a contemplative spectator of the comedy of death, whose work is couched, almost by a sort of accident, in dramatic form, Maeterlinck will probably find a place in literature'.