KMET was a Los Angeles FM radio station owned by Metromedia (hence the "MET" in its call sign) that broadcast at 94.7 MHz beginning on May 2, 1966. It signed off on February 14, 1987. The station, nicknamed "The Mighty Met" (among other nicknames), was a pioneering station of the "underground" progressive rock format.
History
As with many FM stations at the time, KMET featured an automated format (with female voices and middle-of-the-road music). The origin of KMET's freeform rock music format came about due to events at a rival radio station. In 1967, popular Top 40 disc jockey Tom Donahue (Rock Radio Hall of Fame inductee 2015) and his wife Raechel took the FM underground rock sound to KMPX in San Francisco, and soon, along with L.A. Top 40 personality B. Mitchel Reed, to KPPC-FM in Pasadena. Both stations quickly became popular with their innovative formats, and brought the owners more success than they encountered before. But it was to be short-lived. After conflicts with the stations’ owners, the Donahues, Reed and the rest of the KPPC and KMPX staff left both stations and went on strike. As prospects for resolving the strike looked hopeless (the owners had hired scabs to continue the rock programming), Tom Donahue looked elsewhere, and eventually convinced Metromedia to install KPPC's format at KMET in June 1968. They did likewise at KMET's sister station, KSAN-FM in San Francisco. Many of the personalities at both stations transferred to Metromedia.
The KPPC format was only mildly successful. After leaving KROQ AM/FM, Shadoe Stevens was hired by General Manager L. David Moorhead in 1974 to create something new for the struggling format KMET had put in place. With a staff that included B. Mitchell Reed, Stevens, Jimmy Rabbitt, Brother John, and Mary ("The Burner") Turner, Stevens introduced a new rock format that retained some of Donahue's progressive freedom but gave it energy and consistency that featured programming and high production values similar to those that had been integrated at KROQ. Stevens also designed a futuristic billboard campaign called "Hollywood as seen from Mulholland Drive in the year 2525."
Artist Neon Park did ads for KMET as well as the famous billboards. With this new programming design and branded marketing, in 1975 KMET became the number one radio station in Los Angeles.http://www.shadoe.com/kroq-kmet-fm.html
KMET's station identification jingle, "A Little Bit of Heaven, Ninety-Four Point Seven - KMET - Tweedle-Dee" was originally written by Shadoe Stevens and the song was sung by the Pointer Sisters during an interview on his show. This ID "jingle" came to be emblematic for KMET.
Stevens left in 1975 to begin a production company and the station's programing was taken over by Sam Bellamy. Ms. Bellamy, who had been hired from Billboard Magazine, had been Stevens' assistant for most of the time he programmed the station.
At the time, the studios of KMET and its local AM counterpart, country-western KLAC, were located across the street from the La Brea Tar Pits on Wilshire Blvd. In Summer 1976, both stations moved to the then-Metromedia complex where KTTV Channel 11 was located.
KMET stood in direct contrast to other music stations of the era. KMET and other progressive-rock stations played more eclectic artists with much longer songs and more socially-conscious lyrics than the Top 40 AM stations. The disc jockeys talked far less, and in a more personal, relaxed manner. They voiced their opinions on controversial topics, such as the killing of whales, the spraying of marijuana with the toxic chemical Paraquat, the Vietnam War and civil rights, and most importantly they chose the music that they played on the air. Emblematic of this approach was longtime KMET late-night host Jim Ladd (fired October 25, 2011 by one-time rival KLOS-FM and currently hosting his own show on SiriusXM), whose laid-back philosophical ruminations usually led into a song, from artists such as Bob Dylan, John Lennon, Pink Floyd, The Doors or Led Zeppelin—that underscored his point.
KMET often mixed counterculture comedy skits by the Firesign Theatre and the Credibility Gap with the music. The Credibility Gap broadcast satirical skits during Pasadena's Tournament of Roses Parade in the 1970s. Another KMET staple at the time was Dr. Demento, whose variety show began on KPPC-FM. The Dr. Demento Show moved to KMET-FM in 1972 and soon became the most listened-to Sunday evening radio program in Los Angeles. Following Dr. Demento on Sunday nights, Mike Harrison hosted a phone-in talk show called Harrison's Mike.