Having therewith brought us to the threshold of the æsthetic revolution, Jules de Gaultier departs. It remains necessary to point out that it is only the threshold. However intimately the elements of the æsthetic sense may be blended with primitive human existence, we know too well that, as the conditions of human existence are modified, art seems to contract and degenerate, so we can hardly expect the æsthetic sense to develop in the reverse direction. At present, in the existing state of civilisation, with the decay of the controlling power of the old morality, the æsthetic sense often seems to be also decreasing, rather than increasing, in the masses of the population.[155] One need not be troubled to find examples. They occur on every hand and whenever we take up a newspaper. One notes, for instance, in England, that the most widespread spectacularly attractive things outside cities may be said to be the private parks and the churches. (Cities lie outside the present argument, for their inhabitants are carefully watched whenever they approach anything that appeals to the possessive instinct.) Formerly the parks and churches were freely open all day long for those who desired to enjoy the spectacle of their beauty and not to possess it. The owners of parks and the guardians of churches have found it increasingly necessary to close them because of the alarmingly destructive or predatory impulses of a section of the public. So the many have to suffer for the sins of what may only be the few. It is common to speak of this as a recent tendency of our so-called civilisation. But the excesses of the possessive instinct cannot have been entirely latent even in remote times, though they seem to have been less in evidence. The Platonic Timæus attributed to the spectacle of the sun and the moon and the stars the existence of philosophy. He failed to note that the sun and the moon and the stars would have disappeared long ago—as even their infinitely more numerous analogues on the earth beneath are likely to disappear—had they happened to be within the reach of predatory human hands. But the warps and strains of civilised life, with its excessive industrialism and militarism, seem to disturb the wholesome balance of even the humblest elements of the possessive and æsthetic instincts. This means, in the first and most important place, that the liberty of the whole community in its finest manifestations is abridged by a handful of imbeciles. There are infinite freedoms which it would be a joy for them to take, and a help to their work, and a benefit to the world, but they cannot be allowed to take them because there are some who can only take them and perish, damning others with themselves. Besides this supreme injury to life, there are perpetual minor injuries that the same incapable section of people are responsible for in every direction, while the actual cost of them in money, to the community they exert so pernicious an influence on, is so great and so increasing that it constitutes a social and individual burden which from time to time leads to outbursts of anxious expostulation never steady enough to be embodied in any well-sustained and coherent policy.
Wine Review
The Dance of Life — Part 179
2026-11-15 04:51:16 · Cedar Herald Index
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