The building which adjoins the great church at right angles is the Scuola di S. Marco, for which Tintoretto painted his "Miracle of S. Mark," now in the Accademia, and thus made his reputation. It is to-day a hospital. The two jolly lions on the façade are by Tullio Lombardi, the reliefs being famous for the perspective of the steps, and here, too, are reliefs of S. Mark's miracles. S. Mark is above the door, with the brotherhood around him.

And now let us look again and again at the Colleoni, from every angle. But he is noblest from the extreme corner on the Fondamenta Dandolo.

A Wanderer in Venice — Part 172

The Arsenal--The public gardens--Garibaldi's monument--The art exhibition--A water pageant--The prince and his escort--Venice _versus_ Genoa--The story of Helena--S. Pietro in Castello--The theft of the brides--The Lido--A German paradise.

A Wanderer in Venice — Part 172

I do not know that there is any need to visit the Arsenal museum except perhaps for the pleasure of being in a Venetian show place where no one expects a tip. It has not much of interest to a foreigner, nor could I discover a catalogue of what it does possess. Written labels are fixed here and there, but they are not legible. The most popular exhibit is the model of the Bucintoro, the State galley in which the Doge was rowed to the Porto di Lido, past S. Nicholas of the Lido, to marry the Adriatic; but the actual armour worn by Henri IV was to me more thrilling.

A Wanderer in Venice — Part 172

Returning from the Arsenal to the Riva, we come soon, on the left, to the Ponte della Veneta Marina, a dazzlingly white bridge with dolphins carved upon it, and usually a loafer asleep on its broad balustrade; and here the path strikes inland up the wide and crowded Via Garibaldi.

The shore of the lagoon between the bridge and the public gardens, whither we are now bound, has some very picturesque buildings and shipyards, particularly a great block more in the manner of Genoa than Venice, with dormer windows and two great arches, in which myriad families seem to live. Here clothes are always drying and mudlarks at play.

Mr. Howells speaks in his _Venetian Life_ of the Giardini Pubblici as being an inevitable resort in the sixties; but they must, I think, have lost their vogue. The Venetians who want to walk now do so with more comfort and entertainment in S. Mark's Square.