The Samaritan synagogue stands in the Samaritan quarter, the south-western part of the town of Nablus. It is a mean room, with white-washed walls, and a dome with a skylight. A dirty counterpane is hung before a recess, called the Musbah, in which is a cupboard. From behind this veil the manuscripts are produced. At my first visit the high-priest Amram brought out the latest scroll. It is written in black ink on parchment, and rolled on two rollers, enclosed in two cylinders of brass, covered with a florid arabesque of thin silver plates fastened on to the brass. The scroll is kept on a shelf of the cupboard, the other two are locked up. The case is enveloped in a green silk wrapper, embroidered with arabesques. Mr. Drake, who accompanied me, now asked to see the next. The high-priest answered, after affecting great surprise, that his nephew Jacob had the key; he, however, was soon persuaded to send his son to fetch it, and brought out from the locker the second, which is of older appearance, also in a brass case, with huge knobs to the rollers. By means of these rollers the parchment is slipped round, so that each column of the roll is visible in turn. The workmanship in this case is better than that of the first. The cherubim, pot of manna, Aaron's rod, and other sacred objects, are shown in the arabesque. There is a legend with the date 820 A.H., or 1456 A.D., which gives the name of the maker as Jacob ben Phoki, a Damascene. The writing in this manuscript appears to have been touched up later.
The high-priest and his nephew Jacob now declared that there was no older scroll, but Mr. Drake said he had seen it, and at length they were reduced to saying that being ceremonially unclean they could not touch it. We accordingly stepped behind the veil, the locker was opened, and we saw the famous roll of Abishuah in a solid silver cover of modern workmanship. The greatest reluctance was manifested in showing us this sacred relic; the priests exclaimed, "Permission!â and "In the name of God.â The roll is said to have been written on the skins of about twenty rams, which were slain as thank-offerings, the writing being on the hair side; the handwriting is small and rather irregular, the lines far apart; the ink is faded and of a purplish hue, the parchment much torn, very yellow, and patched in places, and bound at the edges with green silk.