[3] _Renaissance in Italy_: “The Catholic Revival,” ii. c. 12.
[4] So Virgil speaks of the soldiers singing as they marched, according to rhythmic music—
“With measured pace they march along, And make their monarch’s deeds their song.”
[5] _Renaissance in Italy._ “Italian Literature,” i., c. 2.
[6] See ELTON’S _Origins of English History_. London: 1890, pp. 6-32.
[7] STANLEY POOLE, _The Barbary Pirates_.
[8] _La Provence Maritime_, 1897, p. 356.
[9] The tomb of Raimond de Cabane, the maître d’hôtel, is in the Church of S. Chiara, Naples.
[10] The portraits of Joanna and of Louis of Tarentum may be seen in the Church of Sta. Maria l’Incarnata, which she built in Naples. Her marriage is there represented in a fresco by one of the pupils of Giotto; again, another picture is of her in Confession. She is also represented on the tomb of King Robert, her grandfather, in the Church of S. Chiara, Naples.
[11] His tomb and statue, a life-like portrait, by Ciaccione, is in the church of S. Giovanni a Carbonara, Naples.
[12] _La Provence Maritime_, Paris, 1897.
[13] _Les Grands Artistes_, Fragonard, par C. MAUCLAIR, Paris (_n.d._)
[14] A fantastic derivation. Actually, Arluc is By the Mere.
[15] HOPKINS (TIGHE) _The Man in the Iron Mask_, Lond. 1901.
[16] A fine head, dug out from the ruins, and supposed to be that of Drusus, is now in the Copenhagen museum.
[17] BENNET, _Winter and Spring on the Mediterranean_. London, 1870.
[19] J. A. SYMONDS, _Age of the Despots_.
[20] HARE, _Cities of Northern Italy_, i. p. 34.
[21] LANE POOLE, _The Barbary Corsairs_, p. 104.
[22] “Tre sue famigliari e care anzelle, lussuria, simonia, e crudeltade” (_Opere_, Flor., 1843, p. 882).
End of Project Gutenberg's A Book of The Riviera, by S. Baring-Gould