How, in the name of all that is wonderful—how has it happened that this ever-delightful tale is not found in any text of The Nights? And how could it be supposed for a moment that Galland was capable of conceiving such a tale—redolent, as it is, of the East and of Fairyland? Not that Fairyland where “True Thomas,” otherwise ycleped Thomas the Rymer, otherwise Thomas of Erceldoune, passed several years in the bewitching society of the Fairy Queen, years which appeared to him as only so many moments: but Eastern Fairyland, with all its enchanting scenes; where priceless gems are as plentiful as “autumnal leaves which strow the brooks in Vallombrosa”; where, in the royal banqueting-hall, illuminated with hundreds of wax candles, in candelabra of the finest amber and the purest crystal, are bands of charming damsels, fairest of form and feature, who play on sweet-toned instruments which discourse heart-ravishing strains of melody;—meanwhile the beauteous Perí Bánú is seated on a throne adorned with diamonds and rubies and emeralds, and pearls and other gems, and by her side is the thrice-happy Prince Ahmad, who feels himself amply indemnified for the loss of his fair cousin Princess Núr-en-Nihár. Auspicious was that day when he shot the arrow which the enamoured Perí Bánú caused to be wafted through the air much farther than arm of flesh could ever send the feathered messenger! And when the Prince feels a natural longing to visit his father in the land of mortals from time to time, behold the splendid cavalcade issue from the portals of the fairy palace—the gallant jinn-born cavaliers, mounted on superb steeds with gorgeous housings, who accompany him to his father’s capital! But alas! the brightest sky is sooner or later overcast—human felicity is—etc., etc. The old king’s mind is poisoned against his noble son by the whisperings of a malignant and envious minister—a snake in the grass—a fly in the ointment of Prince Ahmad’s beatitude! And to think of the old witch gaining access to the fairy palace—it was nothing less than an atrocity! And the tasks which she induces the king to set Prince Ahmad to perform—but they are all accomplished for him by his fairy bride. The only thing to regret—the _fatal_ blemish in the tale—is the slaughter of the old king. Shabbar did right well to dash into the smallest pieces the wicked vazír and the foul witch and all who aided and abetted them, but “to kill a king!” and a well-meaning if soft-headed king, who was, like many better men, led astray by evil counsellors!