Then the three men rose and went. Morel scuttled out of the house before his wife came down. She heard the door close, and descended. She looked hastily at the bread in the oven. Then, glancing on the table, she saw her money lying. Paul had been working all the time. But now he felt his mother counting the week's money, and her wrath rising.
He frowned. He could not work when she was cross. She counted again.
"A measly twenty-five shillings!" she exclaimed. "How much was the cheque?"
"Ten pounds eleven," said Paul irritably. He dreaded what was coming.
"And he gives me a scrattlin' twenty-five, an' his club this week! But I know him. He thinks because _you're_ earning he needn't keep the house any longer. No, all he has to do with his money is to guttle it. But I'll show him!"
"Don't what, I should like to know?" she exclaimed.
"Yes, it's all very well," she said; "but how do you think I'm going to manage?"
"Well, it won't make it any better to whittle about it."
"I should like to know what you'd do if you had it to put up with."
"It won't be long. You can have my money. Let him go to hell."
He went back to his work, and she tied her bonnet-strings grimly. When she was fretted he could not bear it. But now he began to insist on her recognizing him.
"The two loaves at the top," she said, "will be done in twenty minutes. Don't forget them."
"All right," he answered; and she went to market.
He remained alone working. But his usual intense concentration became unsettled. He listened for the yard-gate. At a quarter-past seven came a low knock, and Miriam entered.
As if at home, she took off her tam-o'-shanter and her long coat, hanging them up. It gave him a thrill. This might be their own house, his and hers. Then she came back and peered over his work.
"Still design, for decorating stuffs, and for embroidery."
She bent short-sightedly over the drawings.
It irritated him that she peered so into everything that was his, searching him out. He went into the parlour and returned with a bundle of brownish linen. Carefully unfolding it, he spread it on the floor. It proved to be a curtain or _portière_, beautifully stencilled with a design on roses.
The spread cloth, with its wonderful reddish roses and dark green stems, all so simple, and somehow so wicked-looking, lay at her feet. She went on her knees before it, her dark curls dropping. He saw her crouched voluptuously before his work, and his heart beat quickly. Suddenly she looked up at him.