_Maravon._ You have probably never heard of the "Lampadophories," have you? Well, on certain solemn occasions the citizens of Athens placed themselves at regular intervals, forming a sort of chain through the city. The first one lighted a torch at an altar, ran to the second and passed to him the light, and he to a third who ran to the fourth and so on, from hand to hand. Each one of the chain ran onward without ever looking back and without any idea except to keep the flame alight and pass it on to the next man. Then, breathlessly stopping, each saw nothing but the progress of the flaming light, as each followed it with his eyes, his then useless anxiety, and superfluous vows. In that Trail of the Torch has been seen a symbol of all the generations of the earth, though it is not I, but my very ancient friend Plato, and the good poet Lucretius, who made the analogy.

_Sabine._ That is not at all my idea of family relations. From my point of view, receiving life entails as great an obligation as giving it. There is a certain sort of link which makes the obligations counter balance. Since Nature has not made it possible for children to bring themselves into the world, of their own accord, I say that it was her intention to impose upon them a debt to those who give them life.

Dramatic Technique — Part 131

_Maravon._ They absolve that debt by giving life in turn to their children.

Dramatic Technique — Part 131

_Sabine._ They absolve it by filial piety which has been the inspiration of many deeds of heroism as you seem to forget.[28]

Dramatic Technique — Part 131

A recent editor of Hauptmann's _Gabriel Schilling's Flight_ writes of it: "His analysis is projected creatively in the characters of the two women--Evelyn Schilling and Hanna Elias. What is it, in these women, that--different as they are--menaces the man and the artist Schilling? It is a passion for possession, for absorption, a hunger of the nerves rather than of the heart. These modern women have abandoned the simple and sane preoccupations of their grandmothers; the enormous garnered nervous energy that is no longer expended in household tasks and in childbearing strikes itself, beak and clawlike, into man. But man has not changed. His occupations are not gone. He cannot endure the double burden. That is why Gabriel Schilling, rather than be destroyed spiritually by these tyrannies and exactions, seeks a last refuge in the great and cleansing purity of the sea.