Many of his pictures show an intense love of country solitudes. His poetic backgrounds, lonely mountains, leafy woods, and sparkling water are in curious contrast to the sumptuous groups in the foreground.

His "Three Heads," in the Brera, is a superb piece of painting and an interesting characterisation. The woman is ripe, sensual, and calculating, feeling with her fingers for the gold chain, a mere golden-fleshed, rose-flushed hireling, solid and prosaic. The go-between is dimly seen in the background, but the face of the suitor is a strange, ironic study: past youth, worn, joyless, and bitter, taking his pleasure mechanically and with cynical detachment. The "Storm calmed by S. Mark" (Academy) was, in Mr. Berenson's opinion, begun by Giorgione.

The Venetian School of Painting — Part 86

Rich, brilliant, and essentially Venetian as is the work of these two painters, it does not reach the highest level. It falls short of grandeur, and has that worldly tone that borders on vulgarity. As we study it we feel that it marks the point to which Venetian art might have attained, the flood-mark it might have touched, if it had lacked the advent of the three or four great spirits, who, appearing about the same time, bore it up to sublimer heights and developed a more distinguished range of qualities. Bonifazio and Bordone lack the grandeur and sweetness of Titian, the brilliant touch and imaginative genius of Tintoretto, the matchless feeling for colour, design, and decoration of Veronese, but they continue Venetian painting on logical lines, and they form a superb foundation for the highest.

The Venetian School of Painting — Part 86

Dresden. Finding of Moses. Florence. Pitti: Madonna; S. Elizabeth and Donor (E.); Rest in Flight into Egypt; Finding of Moses. Hampton Court. Santa Conversazione. London. Santa Conversazione (E.). Milan. Brera: Finding of Moses. Paris. Santa Conversazione. Rome. Villa Borghese: Mother of Zebedee's Children; Return of the Prodigal Son. Colonna: Holy Family with Saints. Venice. Academy: Rich Man's Feast; Massacre of Innocents; Judgment of Solomon, 1533; Adoration of Kings. Giovanelli: Santa Conversazione. Vienna. Santa Conversazione; Triumph of Love; Triumph of Chastity; Salome.

The Venetian School of Painting — Part 86

Bergamo. Lochis: Vintage Scenes. Berlin. Portrait of Man in Black; Chess Players; Madonna and four Saints. Dresden. Apollo and Marsyas; Diana; Holy Family. Florence. Pitti: Portrait of Woman. Genoa. Brignole Sale: Portraits of Men; Santa Conversazione. Hampton Court. Madonna and Donors. London. Daphnis and Chloe; Portrait of Lady. Bridgewater House: Holy Family. Milan. Brera: Descent of Holy Spirit; Baptism; S. Dominio presented to the Saviour by Virgin; Madonna and Saints; Venal Love. S. Maria pr. Celso: Madonna and S. Jerome. Munich. Portrait; Man counting Jewels. Paris. Portraits. Rome. Colonna: Holy Family and Saints. Treviso. Madonna and Saints. Duomo: Adoration of Shepherds; Madonna and Saints. Venice. Academy: Fisherman and Doge; Paradise; Storm calmed by S. Mark. Palazzo Ducale Chapel: Dead Christ. Giovanelli: Madonna and Saints. S. Giovanni in Bragora; Last Supper. Vienna. Allegorical Pictures; Lady at Toilet; Young Woman.