He goes on for a long time in this strain, and is at pains to explain that, if the work had been written in this more elaborate manner, it would not necessarily have been found tedious even by young ladies. "I could have presented it to the imagination," he says, "in so spruce a garb, that spirits blest with leisure, and free from the urgency of serious employments, would happily have bestowed as liberally some few houres thereon as on the perusal of a new-coined romance, or strange history of love adventures. For although the figures and tropes above rehearsed seem in their _actu signato_, (as they signifie meer notional circumstances, affections, adjuncts, and dependencies on words), to be a little pedantical, and to the smooth touch of a delicate ear somewhat harsh and scabrous, yet in their exerced act, (as they suppone for things reduplicatively as things in the first apprehension of the minde, by them signified), I could, even in far abstruser purposes, have so fitly adjusted them with apt and proper termes, and with such perspicuity couched them, as would have been suitable to the capacities of courtiers and young ladies,[221] whose tender hearing, for the most part, being more taken with the insinuating harmony of a well-concerted period, in its isocoletick and parisonal members, then [than] with the never-so-pithy a fancy of a learned subject, destitute of the illustriousness of so pathetick ornaments, will sooner convey perswasion to the interior faculties from the ravishing assault of a well-disciplined diction, in a parade of curiously-mustered words in their several ranks and files then [than] by the vigour and fierceness of never so many powerful squadrons of a promiscuously-digested elocution into bare logical arguments; for the sweetness of their disposition is more easily gained by undermining passion then [than] storming reason, and by the musick and symmetry of a descourse in its external appurtenances, then [than] by all the puissance imaginary of the ditty or purpose disclosed by it."[222]
The last of Sir Thomas Urquhart's original works was his "LOGOPANDECTEISION, or an INTRODUCTION TO THE UNIVERSAL LANGUAGE," a portion of which, as already mentioned, had been embedded in the conglomerate mass of _The Jewel_. The idea of a universal language was not originated by Urquhart, for it is said that something of the kind had been planned a generation earlier by the celebrated William Bedell (1570-1642), the Bishop of Kilmore and Ardagh, who is better known for promoting the translation of the Bible into the Irish tongue. We are told by Burnet, who wrote his life, that he had in his diocese a clergyman named Johnston, a man of ability, but, unfortunately, of "mercurial wit." In order to give him adequate employment, and to keep him, we suppose, out of mischief, Bedell planned out a scheme for a universal character, which should be understood by all nations as readily as the Arabic numerals or the figures in geometry, and started Johnston upon the task of completing it. He made, we are told, considerable progress with the scheme, but his labours were interrupted, and the results of them destroyed, by the frightful rebellion of 1641.