--AND so at last the marriage of Adelina Patti to the Marquis of Caux has come to its natural end. What could the Marquis or the lady expect? He married her for the money that she earned, and that he might own so charming a celebrity; she accepted him as a husband for his title. Years have passed, and nothing has occurred to bind them more closely. The lady has no children, or any prospect of one; and so there is nothing in the way of a judicial separation on account of incompatibility. It is not necessary to suppose that the distinguished prima donna has actually run away from her husband with a lover; but it would only be natural if there were a man in the distance more to her taste. It is remarkable, by the way, that so great an interest should be taken by Americans in the fortunes of this lady, who, since she has developed her extraordinary talent, has turned her back entirely on this country. She is spoken of here often as an American prima donna. This can only be the result of a very great and an absurd misapprehension. Adelina Patti is an Italian. Her father and mother were both Italians, who could speak hardly a word of English. Her education and habits of life have been entirely Italian. Even if she had been born here by the chance of a professional residence here by her mother, that would not have made her anything else than Italian, more than a like chance residence in Russia or in Turkey would have made her a Russian or a Turk, or than the Irishman's being born in a stable would have made him a horse. When a family emigrates and resides permanently in another country, assuming the life and the habits of that country, and intermarrying there, it changes its nationality, but not otherwise. The eagerness which many Americans show to claim as American everything meritorious in art over whose supposed origin the Stars and Stripes may have been thrown, is a witness to our real native poverty in that respect, which we reveal by the very means by which we would conceal it. And besides all this, Adelina Patti was not even born in this country. She came here from Europe a little girl, with her mother, Katarina Barili-Patti, a prima donna, who, although she had not her daughter's facility of execution and range of voice, sang in the grand style, and who, as a dramatic vocalist, was far beyond _la diva_, as Adelina is absurdly called. As to her parting company with M. Caux, nothing is more probable than that the restraint--at least external--which belongs to the life of a marquise became too intolerable to her inborn Bohemianism, and that she seeks deliverance not only from an unloved and unloving husband, but from the galling restraints of dull respectability.