Mr. Pickwick, then, relieved against a background of heavy kindliness and quiet club life does not seem to be quite the same heroic figure as Mr. Pickwick relieved against a background of the fighting police constables at Ipswich or the roaring mobs of Eatanswill. Of the degeneration of the Wellers, though it has been commonly assumed by critics, I am not so sure. Some of the things said in the humorous assembly round Mr. Weller's Watch are really human and laughable and altogether in the old manner. Especially, I think, the vague and awful allusiveness of old Mr. Weller when he reminds his little grandson of his delinquencies under the trope or figure of their being those of another little boy, is really in the style both of the irony and the domesticity of the poorer classes. Sam also says one or two things really worthy of himself. We feel almost as if Sam were a living man, and could not appear for an instant without being amusing.

The other elements in the make-up of _Master Humphrey's Clock_ come under the same paradox which I have applied to the whole work. Though not very important in literature they are somehow quite important in criticism. They show us better than anything else the whole unconscious trend of Dickens, the stuff of which his very dreams were made. If he had made up tales to amuse himself when half-awake (as I have no doubt he did) they would be just such tales as these. They would have been ghostly legends of the nooks and holes of London, echoes of old love and laughter from the taverns or the Inns of Court. In a sense also one may say that these tales are the great might-have-beens of Dickens. They are chiefly designs which he fills up here slightly and unsatisfactorily, but which he might have filled up with his own brightest and most incredible colours. Nothing, for instance, could have been nearer to the heart of Dickens than his great Gargantuan conception of Gog and Magog telling London legends to each other all through the night. Those two giants might have stood on either side of some new great city of his invention, swarming with fanciful figures and noisy with new events. But as it is, the two giants stand alone in a wilderness, guarding either side of a gate that leads nowhere.

Appreciations and Criticisms of the Works of Charles Dickens — Part 128