Well now, dear Mother, imagine a further complication. Harry is very anxious that we should have an evening once a week to receive our friends--an informal, quiet, sociable, talking evening, on a sort of ideal plan of his, in which everybody is to be made easy and at home, and to spend just such a quiet, social hour as at one's own chimney-corner. But fancy my cares, with all the menagerie of our very miscellaneous acquaintances! I should be like the man in the puzzle that had to get the fox and geese and corn over in one boat without their eating each other. Fancy Jim Fellows and Mr. St. John! Dr. Campbell, with his molecules and cerebration, talking to my little Quaker dove, with her white wings and simple faith, or Aunt Maria and mamma conversing with a Jewish Rabbi! I believe our family have a vague impression that Jews are disreputable, however gentlemanly and learned; and I don't know but Mr. St. John would feel shocked at him. Nevertheless, our Rabbi is a very excellent German gentleman, and one of the most interesting talkers I have heard. Oh! then there are our rococo antiquities across the street, Miss Dorcas Vanderheyden and her sister. What shall I do with them all? Harry has such boundless confidence in my powers of doing the agreeable that he seems to think I can, out of this material, make a most piquant and original combination. I have an awful respect for the art _de tenir salon_, and don't wonder that among our artistic French neighbors it got to be a perfect science. But am I the woman born to do it in New York?
Well, there's no way to get through the world but to keep doing, and to attack every emergency with courage. I shall do my possible, and let you know of my success.
The housekeeping establishment of Eva Henderson, _née_ Van Arsdel, was in its way a model of taste, order, and comfort. There was that bright, attractive, cosy air about it that spoke of refined tastes and hospitable feelings--it was such a creation as only the genius of a thorough home-artist could originate. There are artists who work in clay and marble, there are artists in water-colors, and artists in oils, whose works are on exhibition through galleries and museums: but there are also, in thousands of obscure homes, domestic artists, who contrive out of the humblest material to produce in daily life the sense of the beautiful; to cast a veil over its prosaic details and give it something of the charm of a poem.