[Illustration: The Graces. Figaro. Magic Flute. Don Giovanni. Religion.
_Reproduction of a life-size portrait by F. A. von Klober (1793-1864) made in 1817. Lithographed by Theo. Neu. This is the best known portrait of the master and the basis for many idealized portraits of later days. At this time Beethoven was in his forty-seventh year and began the composition of the Ninth Symphony, which he finished six years later._]
The town of Louvain, in Belgium, is now a dull place, with a Hôtel de Ville, Gothic church, detestable beer, and about 34,000 inhabitants. In the 14th century it was the capital of the Duchy of Brabant, the residence of the princes, the home of 2,000 manufactories. Near this city, whose ruin was wrought by turbulent weavers, are villages called Rotselaer, Leefdæl, and Berthem; and in the 16th century people by the name of Van Beethoven were found in these same villages or hard by. If Léon de Burbure's researches are not in vain, these Van Beethovens were simple Flemish peasants, who ate beans during the week, and on a Sunday welcomed the sight of bacon. _Van_ is not in Dutch a sign of nobility. Nor was the spelling of the name invariable. It was Biethoven, Biethoffen, Bethof, Betthoven; and there were other variations.
About 1650 one of these farmers grew weary of the smell of fresh earth and the life with the beasts of the field, and he entered into Antwerp to make his fortune. There he married, begot a son, and named him Guillaume; and Guillaume was the great-great-grandfather of the composer of the Nine Symphonies. Guillaume, or Wilhelm, grew up, trafficked in wines, was apparently a man of parts, and was held in esteem. He married Catherine Grandjean. He named one of his eight children Henri-Adélard, and this Henri, the godson of the Baron de Rocquigny, became a prominent tailor, and wedded Catherine de Herdt, by whom he had a dozen children. The third, a son, was baptized Dec. 23, 1712, and his name was Louis. Louis was brought up in the Antwerp choirs, and there seems to be no doubt that he received a thorough musical education. His father, Henri, a year after the birth of Louis, fell into poverty, and it is probable that the boy, following the fortunes of some choir-master, lived for a time at Ghent. In 1731 he was a singer in Louvain. In 1733 he was named a musician of the court of the Elector of Cologne at Bonn. His salary was fixed at about $160, and he married, in September, 1733, Maria Josepha Poll, aged nineteen. Louis, or Ludwig, prospered. He rose from "Musicus" to "Herr Kapellmeister." Maria, his wife, with increasing good fortune and the addition of a wine shop to music lessons, took to drink, and died in 1775 in a convent at Cologne. Johann, their son, born towards the end of 1739 or in the beginning of 1740, inherited her thirst. He sang tenor and received his appointment as court singer March 27, 1756. For thirteen years he had served without pay as soprano, contralto, and tenor, and in 1764 he was granted one hundred thalers by Maximilian Friedrich, who had succeeded Clemens August as Elector. In 1767 he married Maria Magdalena Kewerich, the widow of Johann Laym, a valet. Maria was the daughter of a head cook, nineteen, comely, slender, soft-hearted. Old Ludwig objected to the match on account of the low social position of the woman. The young couple lived in the house No. 515 in the Bonngasse. Ludwig Maria was born in 1769 and lived six days. Ludwig, the great composer, was baptized the 17th of December, 1770, and he was probably born the day before the baptism. Of the five children born afterward, only Caspar Anton (1774-1815) and Nikolaus Johann (1776-1848) grew up. A brother, August, lived two years; a sister, Anna, four days, and Maria Margaretha about a year.