The foundation of this church in its primitive state, consisted, like other British structures, of a nave only--a side aisle and chancel appear to have been added at a very early date; and, subsequently to these, a tower was erected which completed the sacred edifice, and rendered it more conspicuous as a historical landmark, and place of pilgrimage. It is distinguished by handsome Gothic windows, portions of which are adorned with stained glass; and the roof is supported by Saxon arches, resting on massive octagon piers.
On a plain mural tablet in the <g>Chancel</g> of this ancient church, is the following inscription, supposed to have been written by Bishop Godwin. The fact of its being the sepulchre of the British Prince Teudrick, was finally ascertained by the discovery of his stone coffin, in which the skeleton was found almost entire. On the skull, also, in accordance with local tradition, a fracture was observed, which clearly indicated the manner of his death, and confirmed the testimony of local history.
The following is the inscription:--“Here lyeth entombed the body of THEODORIC, King of Morganuch, or Glamorgan, commonly called <g>St. Theodoric</g>, and accounted a martyr, because he was slain in battle against the Saxons, being then pagans, and in defence of the Christian Religion. The battle was fought at <g>Tynterne</g>, where he obtained a great victory. He died here, being on his way homeward, three days after the battle, having taken order with Maurice, his son, who succeeded him in the kingdom, that in the same place where he should happen to decease, a church should be built, and his body buried in the same, which was accordingly performed in the year 600.”
“On ascending the tower of this church,” says Mr. Thomas, “a scene of great extent and surpassing beauty is spread before the eye; on one side you have a long reach of water, strewn with vessels and rocks; on the other a wide undulating tract of land, overspread with villas and smiling meadows, crowded with many a gentle herd; while beneath, and not the least interesting objects of this scene, are those melancholy wrecks of bygone splendour--Mathern Palace and Moinscourt.” The first of these two objects, the old episcopal residence, is now “the ruinous retreat of some humble followers of the plough.” The north and north-east portions, comprising the porch and tower, were erected by Bishop De la Zouch, who was consecrated in the year 1408, and the chapel hall, and some other compartments, were added by Miles Sulley, who came to the see in 1504. Moinscourt, now reduced to the humble uses of a farmhouse, was another of the palaces, belonging to the see of Llandaff, and supposed to have been erected by Bishop Godwin, who made it his favourite residence. Passing beneath a Gothic porch, crowned with two lofty turrets, we enter a spacious quadrangular court, at the extremity of which stands the palace. Over the entrance is an escutcheon, on which are sculptured the arms of Godwin, impaled with those of the see, and bearing the date of 1603. The court was formerly adorned with two monuments of Roman antiquity found in the vicinity--one a votive altar, the other an inscription, recording the rebuilding of the Temple of Diana, by T. F. Posthumius Varus. It was from the ancient Roman slabs, built into the garden walls of this residence, that Bishop Godwin supplied the drawings and inscriptions for Camden’s Britannia.[112]