Like You Know It All (; lit. "You Think You Know It All But You Don't") is a 2009 South Korean comedy-drama film written and directed by Hong Sang-soo.
Plot
Arthouse filmmaker Goo can't seem to direct a hit, but at least the critics love him. He goes to Jecheon, North Chungcheong Province to judge the local film festival, but the common practice for jurors is to schmooze by day, drink at night, and sleep through movies. He bumps into an old friend Boo Sang-yong in town and drinks till he passes out, but not before soundly offending his friend's wife.
After Jecheon, Goo heads to Jeju Island to give a college lecture. There, he meets up with a former mentor, who it turns out is now married to Goo's ex-unrequited lover.
Cast
Kim Tae-woo as Goo Kyeong-nam, a film director
In Jecheon
Uhm Ji-won as Gong Hyeon-hee, a programmer of the film festival
Gong Hyung-jin as Boo Sang-yong, Kyeong-nam's ex-business partner
Jung Yu-mi as Yoo Shin, Sang-yong's wife
Seo Yeong-hwa as Oh Jin-sook, an actress and jury member for the film festival
Eun Joo-hee as Oh Jeong-hee, a porn actress
Kim Yeon-soo as a box office hitting film director
Michael Rodgers as film critic 'Robert'
In Jeju
Go Hyun-jung as Go Soon, Cheon-soo's wife and Goo's ex-unrequited lover. Moon Chang-gil as Yang Cheon-soo, a painter and Kyeong-nam's college senior Ha Jung-woo as a sculptor and Cheon-soo's neighbor Yoo Jun-sang as Mr. Go, a chief officer of Jeju Film Commission Go Chang-gyoon as an officer of Jeju Film Commission Ye Soo-jung as Mother of actress
Production
Like You Know It All is Hong's second film to be shot on HD video following his previous feature Night and Day, released in 2008. The film was produced independently with a short shooting period and low budget of $100,000, with the cast — some of whom have appeared in Hong's earlier films — working without any fees upfront. Shooting commenced in Jecheon, August 2008, where the real-life Jecheon International Music & Film Festival is held annually, before moving to Jeju Island, where filming continued into September.
A member of the main production staff said, "the film steps away from the sharp beauty of cinematic form, trying to make some changes while being more loose in form but more dynamic in atmosphere. It is more hilarious but also bitter at the same time."
YesAsia said, "Hong's characteristic episodic narrative and elliptical reflection provide the brooding framework for a bitingly funny send-up of filmmakers, festivals, and the people and places in between."