When I got a piece framed (Now I write those six words and grin) ... “_when_” ... Two little skinny horses I had to rest the frames upon. The space I had in which to make myself useful was literally about three by four feet just in front of the shelves where the thread and beads were kept. That is, I had it if no one wanted to get anything in the line of thread or beads, which they always did want to get. Whereupon I moved out—which meant my work might be knocked on the floor, or if it was bigger I had to move the work out with me. Or I crawled under it and got the thread or beads myself. If it were a skirt I was framing up I earned the curses, though friendly, of the assemblage. No one could pass in any direction. The beaders were shut in their quarters till I got through, or they crawled under. Or I poked people in the back with the frames while I was clamping them. I fought and bled and died over every large frame I managed to get together, for the frame was larger than the space I had to work in. Until in compassion they finally moved me around the corner into the dressmaking quarters, which tried Joe's soul. Joe was the Italian foreman of that end of things. He was nice. But he saw no reason why I should be moved up into his already crowded space. Indeed, I was only a little better off. The fact of the matter was that the more useful I became the more in everybody's way I got. Indeed, it can be taken as a tribute to human nature that everyone in that factory was not a crabbed nervous wreck from having to work on top of everyone else. It was almost like attempting dressmaking in the Subway. The boss at times would gaze upon my own frantic efforts, and he claimed: “Every time I look at you the tears come in my eis.” And I would tell him, “Every time I think about myself the tears come in mine.” About every other day he appeared with a hammer and some nails and would pound something some place, with the assurance that his every effort spelled industrial progress and especial help to me.
Nor will I forget that exhibition of the boss's ideas of scientific management. Nothing in the factory was ever where anyone could find it. It almost drove me crazy. What was my joy then when one day the boss told me to put the spools in order. There was a mess of every-colored spool, mixed with every other color, tangled ends, dust, buttons, loose snappers, more dust, beads, more spools, more dust. A certain color was wanted by a stitcher. There was nothing to do but paw. The spool, like as not, would be so dusty it would take blowings and wipings on your skirt before it could be discovered whether the color was blue or black. I tied my head in tissue paper and sat down to the dusty job of sorting those spools. Laboriously I got all the blacks together and in one box. Laboriously all the whites. That exhausted all the boxes I could lay hands on. I hunted up the boss. “I can't do that spool job decent if I ain't got no boxes to put the different colors in.”