Martial was destined to fix the type of the epigram for the future. For pure poetry he had small gifts. He was endowed with a warm heart, a real love for simplicity of life and for the beauties of nature. But he had no lyrical enthusiasm, and was incapable of genuine passion. He entered heartwhole on all his amatory adventures, and left them with indifference. Even the cynical profligacy of Ovid shows more capacity for true love. At their best Martial's erotic epigrams attain to a certain shallow prettiness,[655] for the most part they do not rise above the pornographic. And even though he shows a real capacity for friendship, he also reveals an infinite capacity for cringing or impudent vulgarity in his relations with those who were merely patrons or acquaintances. His needy circumstances led him, as we shall see, to continual expressions of a peevish mendicancy, while the artificiality and pettiness of the life in which he moved induced an excessive triviality and narrowness of outlook.
He makes no great struggle after originality. The slightness of his themes and of his _genre_ relieved him of that necessity. Some of his prettiest poems are mere variations on some of the most famous lyrics of Catullus.[656] He pilfers whole lines from Ovid.[657] Phrase after phrase suggests something that has gone before. But his plagiarism is effected with such perfect frankness and such perfect art, that it might well be pardoned, even if Martial had greater claims to be taken seriously. As it is, his freedom in borrowing need scarcely be taken into account in the consideration of our verdict. At the worst his crime is no more than petty larceny. With all his faults, he has gifts such as few poets have possessed, a perfect facility and a perfect finish. Alone of poets of the period he rarely gives the impression of labouring a point. Compared with Martial, Seneca and Lucan, Statius and Juvenal are, at their worst, stylistic acrobats. But Martial, however silly or offensive, however complicated or prosaic his theme, handles his material with supreme ease. His points may often not be worth making; they could not be better made. Moreover, he has a perfect ear; his music may be trivial, but within its narrow limits it is faultless.[658] He knows what is required of him and he knows his own powers. He knows that his range is limited, that his sphere is comparatively humble, but he is proud to excel in it. He has the artist's self-respect without his vanity.