[And then follows a suggestion to put in a note:]
I except one case, the case of any child who is marked for death by organic disease, and knows it. In such cases the creature is changed--that which would have been unchildlike ceases to offend, for a new character is forming.
[1] See the story of the young soldier who told his officer, on having been struck by him, that 'he would make him repent it.' (Close of autobiographic sketch, 'Infant Literature.')
[2] Three thousand children are annually burnt to death in the nations of England and Scotland, chiefly through the carelessness of parents. I shudder to add another and darker cause, which is a deep disgrace to the present age.
[3] Count Massigli (an Austrian officer in the imperial service) about sixty years ago fathomed and attempted to fathom many parts of the Mediterranean and the Atlantic. If I remember rightly, he found the bottom within less than an English mile.
[4] The story and the verses are, or used to be, well known. A schoolboy, forbidden to return home at the holidays, is suspected to have written the lyrical Latin verses upon the rapture of returning home, and to have breathed out his life in the anguish of thus reviving the images which for him were never to be realized.... The reader must not fancy any flaw in the Latin title. It is elliptic; _revisere_ being understood, or some similar word.
[5] I allude to the _signatures_ of nature.
_II. THE LOVELIEST SIGHT FOR WOMAN'S EYES._
The loveliest sight that a woman's eye opens upon in this world is her first-born child; and the holiest sight upon which the eyes of God settle in Almighty sanction and perfect blessing is the love which soon kindles between the mother and her infant: mute and speechless on the one side, with no language but tears and kisses and looks. Beautiful is the philosophy ... which arises out of that reflection or passion connected with the transition that has produced it. First comes the whole mighty drama of love, purified[6] ever more and more, how often from grosser feelings, yet of necessity through its very elements, oscillating between the finite and the infinite: the haughtiness of womanly pride, so dignified, yet not always free from the near contagion of error; the romance so ennobling, yet not always entirely reasonable; the tender dawn of opening sentiments, pointing to an idea in all this which it neither can reach nor could long sustain. Think of the great storm of agitation, and fear and hope, through which, in her earliest days of womanhood, every woman must naturally pass, fulfilling a law of her Creator, yet a law which rests upon her mixed constitution; animal, though indefinitely ascending to what is non-animal--as a daughter of man, frail ... and imperfect, yet also as a daughter of God, standing erect, with eyes to the heavens. Next, when the great vernal passover of sexual tenderness and romance has fulfilled its purpose, we see, rising as a Phoenix from this great mystery of ennobled instincts, another mystery, much more profound, more affecting, more divine--not so much a rapture as a blissful repose of a Sabbath, which swallows up the more perishing story of the first; forcing the vast heart of female nature through stages of ascent, forcing it to pursue the transmigrations of the Psyche from the aurelic condition, so glowing in its colour, into the winged creature which mixes with the mystery of the dawn, and ascends to the altar of the infinite heavens, rising by a ladder of light from that sympathy which God surveys with approbation; and even more so as He beholds it self-purifying under His Christianity to that sympathy which needs no purification, but is the holiest of things on this earth, and that in which God most reveals Himself through the nature of humanity.