Pausanias then proceeds to censure those who, by multiplying false miracles in more recent times, tended to rob the old and genuine miracles of their legitimate credit and esteem. The passage illustrates forcibly the views which a religious and instructed pagan took of his past time—how inseparably he blended together in it gods and men, and how little he either recognized or expected to find in it the naked phænomena and historical laws of connection which belonged to the world before him. He treats the past as the province of legend, the present as that of history; and in doing this he is more sceptical than the persons with whom he conversed, who believed not only in the ancient, but even in the recent and falsely reported miracles. It is true that Pausanias does not always proceed consistently with this position: he often rationalizes the stories of the past, as if he expected to find historical threads of connection; and sometimes, though more rarely, accepts the miracles of the present. But in the present instance he draws a broad line of distinction between present and past, or rather between what is recent and what is ancient: his criticism is, in the main, analogous to that of Arrian in regard to the Amazons—denying their existence during times of recorded history, but admitting it during the early and unrecorded ages.
In the narrative of Pausanias, the sons of Lykaôn, instead of perishing by thunder from Zeus, become the founders of the various towns in Arcadia. And as that region was subdivided into a great number of small and independent townships, each having its own eponym, so the Arcadian heroic genealogy appears broken up and subdivided. Pallas, Orestheus, Phigalus, Trapezeus, Mænalus, Mantinêus, and Tegeatês, are all numbered among the sons of Lykaôn, and are all eponyms of various Arcadian towns.[411]
The legend respecting Kallistô and Arkas, the eponym of Arcadia generally, seems to have been originally quite independent of and distinct from that of Lykaôn. Eumêlus, indeed, and some other poets made Kallistô daughter of Lykaôn; but neither Hesiod, nor Asius, nor Pherekydês, acknowledged any relationship between them.[412] The beautiful Kallistô, companion of Artemis in the chase, had bound herself by a vow of chastity. Zeus, either by persuasion or by force, obtained a violation of the vow, to the grievous displeasure both of Hêrê and Artemis. The former changed Kallistô into a bear, the latter when she was in that shape killed her with an arrow. Zeus gave to the unfortunate Kallistô a place among the stars, as the constellation of the Bear: he also preserved the child Arkas, of which she was pregnant by him, and gave it to the Atlantid nymph Maia to bring up.[413]