Now, good night; I must rise very early to-morrow; it is to be a grand fête to-day in the monastery, and a solemn religious service, and I am to play the organ for them. The monks were listening this morning while I was extemporizing a little, and were so pleased, that they invited me to play the people in and out at their festival to-morrow. The father organist has also given me the subject on which I am to extemporize; it is better than any that would have occurred to an organist in Italy.

I shall see to-morrow what I can make of this. I played a couple of new pieces of mine on the organ this afternoon in the church, and they sounded rather well. When I came past the monastery the same evening, the church was closed, and scarcely were the doors shut, when the monks began to sing nocturns fervently, in the dark church; they intoned the deep B, which vibrated splendidly, and could be heard far down the valley.

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland — Part 137

This has been another splendid day--the weather bright and enjoyable, and the bluest sky that I have seen since I left Chamouni; it was a holiday in the village, and in all the mountains. After long-continued fogs, and every variety of bad weather, once more to see from the window in the morning the clear range of mountains and their pinnacles, is indeed a grand spectacle. They are acknowledged to be finest after rain, and to-day they looked as fresh as if newly created. This valley is not surpassed by any in Switzerland. If I ever return here this shall be my head-quarters, for it is even more lovely, and more spacious and unconfined than Chamouni, and more free than Interlaken. The Spann-örter are incredibly grand peaks, and the round Titlis heavily laden with snow, the foot of which lies in the meadows, and the effect of the Urner rocks in the distance, are also well worth seeing: it is now full moon, and the valley is clothed in beauty.

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland — Part 137

This whole day I have done nothing but sketch, and play the organ: in the morning I performed my duties as organist--it was a grand affair. The organ stands close to the high altar, next to the stalls for the "patres;"--so I took my place in the midst of the monks, a very Saul among the prophets. An impatient Benedictine at my side played the double bass, and others the violins; one of their dignitaries was first violin. The _pater præceptor_ stood in front of me, sang a solo, and conducted with a long stick, as thick as my arm. The _élèves_ in the monastery formed the choir, in their black cowls; an old decayed rustic played on an old decayed oboe, and at a little distance two more were puffing away composedly at two huge trumpets with green tassels; and yet with all this the affair was gratifying. It was impossible not to like the people, for they had plenty of zeal, and all worked away as well as they could. A mass, by Emmerich, was given, and every note of it betrayed its "powder and pigtail." I played thorough-bass faithfully from my ciphered part, adding wind instruments from time to time, when I was weary; made the responses, extemporized on the appointed theme, and at the end, by desire of the Prelate, played a march, in spite of my repugnance to do this on the organ, and was then honourably dismissed.

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland — Part 137