"Don't you know," he went on, looking at Richard's plate,--"don't you know that tea and ham together are frightfully indigestible?"

"No matter. You soon will have if you eat tea and ham together. A young man should guard his digestion like his honour. Sounds funny, doesn't it? But it's right. An impaired digestive apparatus has ruined many a career. It ruined mine. You see before you, sir, what might have been an author of repute, but for a wayward stomach."

A Man from the North — Part 14

"You write?" Richard asked, interested at once, but afraid lest Mr. Aked might be cumbrously joking.

A Man from the North — Part 14

"I used to." The old man spoke with proud self-consciousness.

A Man from the North — Part 14

"Not a book. But I've contributed to all manner of magazines and newspapers."

"Well, let me see--it's so long ago. I've written for 'Cornhill.' I wrote for 'Cornhill' when Thackeray edited it. I spoke to Carlyle once."

"Yes. Carlyle said to me--Carlyle said to me--Carlyle said--" Mr. Aked's voice dwindled to an inarticulate murmur, and, suddenly ignoring Richard's presence, he pulled a book from his pocket and began to finger the leaves. It was a French novel, "La Vie de Bohème." His face had lost all its mobile expressiveness.

A little alarmed by such eccentricity, and not quite sure that this associate of Carlyle was perfectly sane, Richard sat silent, waiting for events. Mr. Aked was clearly accustomed to reading while he ate; he could even drink with his eyes on the book. At length he pushed his plates away from him, and closed the novel with a snap.

"I see you're from the country, Larch," he said, as if there had been no lapse in the conversation. "Now, why in God's name did you leave the country? Aren't there enough people in London?"

"Because _I_ wanted to be an author," answered Richard, with more assurance than veracity, though he spoke in good faith. The fact was that his aspirations, hitherto so vague as to elude analysis, seemed within the last few minutes mysteriously to have assumed definite form.

"You won't have it if you begin to write. Take my word, you're a young fool. You don't know what you're going in for, my little friend."

"Was Murger a fool?" Richard said clumsily, determined to exhibit an acquaintance with "La Vie de Bohème."

"Come along," he said peevishly. "Let's get out of this hole."