'Is your mistress at home, Antonia?' he asked her.
Her mouth was too full to allow her to reply, so she nodded her head energetically and smiled. Her lips were streaming with orange juice, and her little eyes, as she screwed them up, looked like drops of ink upon her dark skin.
Rougon was already accustomed to the irregular ways of the Balbis' servants, so without more ado he went up the stairs. On his way he met a big lanky man-servant, with a face like a brigand's and a long black beard, who coolly stared at him without giving him the balustrade-side. When he reached the first floor, he found himself confronted by three open doors, but saw no one about. The door on his left hand was that of Clorinde's bedroom. Curiosity prompted him to peep inside. Although it was four o'clock in the afternoon, the bed had not been made or the room tidied. Upon a screen standing in front of the bed and half concealing the tumbled coverlets, some splashed petticoats which the girl had worn on the previous day had been hung to dry, while a wash-basin, full of soapy water, stood on the floor in front of the window, and the cat of the house, a grey one, slept, comfortably curled, in the midst of a heap of garments.
It was, however, upon the second floor that Clorinde was generally to be found, in the gallery which she had successively turned into a studio, a smoking-room, a hot-house, and a summer drawing-room. As Rougon ascended upwards he heard a growing uproar of voices, shrill laughter and a noise as of furniture being overturned; and when he reached the door he could distinguish the notes of a consumptive piano and sounds of singing. He knocked at the door twice without receiving any answer, and then determined to enter.
'Ah! bravo, bravo, here he is!' cried Clorinde, clapping her hands.
Rougon, whom it was generally so difficult to put out of countenance, for a moment remained timidly on the threshold. Chevalier Rusconi, the Sardinian Minister, a handsome dark-complexioned man, who, under other circumstances, was a grave diplomatist, sat in front of the piano, the keys of which he was striking furiously so as to extract a fuller sound from the instrument. In the middle of the room deputy La Rouquette was waltzing with a chair, the back of which he amorously encircled with his arms, and he was so absorbed in his amusement that he had littered the carpet with other chairs which he had overturned. Then, in the bright light of one of the window-recesses, Clorinde stood upon the centre of a table, posing, with perfect unconcern, as the huntress Diana, in front of a young man who was sketching her with charcoal upon white canvas. Finally, on a couch, three serious-looking men with their legs crossed were silently smoking big cigars and looking at Clorinde.