Andrew Ayers Stanton (born December 3, 1965) is an American filmmaker and voice actor based at Pixar, which he joined in 1990. His film work includes co-writing and co-directing Pixar's A Bug's Life (1998), directing Finding Nemo (2003) and its sequel Finding Dory (2016), WALL-E (2008), and the live-action film, Disney's John Carter (2012), and co-writing all four Toy Story films (1995–2019) and Monsters, Inc. (2001).
Finding Nemo and WALL-E earned Stanton two Academy Awards for Best Animated Feature. He was also nominated for three Academy Awards for Best Original Screenplay, for Finding Nemo, WALL-E, and Toy Story (1995), and for an Academy Award for Best Adapted Screenplay for Toy Story 3 (2010). WALL-E has also been inducted into the National Film Registry. On television, Stanton directed two episodes of Stranger Things in 2017, an episode of Better Call Saul in 2018, and the final season premiere of Legion in 2019.
Early and personal life
Andrew Stanton was born on December 3, 1965, in Rockport, Massachusetts. His father, Ron Stanton, was the founder of a company that worked on radars for the United States Department of Defense. His mother, Gloria Stanton, pursued an acting career before becoming a homemaker. Both of Stanton's parents were natives of nearby Wellesley.
Stanton acted in high school and directed sketch comedy shot on Super 8 film. He portrayed Barnaby Tucker in a 1980 high school production of Hello, Dolly!, which later became a source of inspiration for WALL-E. Stanton studied for a year at the University of Hartford before transferring to the character animation program at the California Institute of the Arts. He received his Bachelor of Fine Arts from CalArts in 1987.
In 1989, Stanton married his high school sweetheart Julie, two weeks after she graduated from Georgetown University. The couple subsequently settled in Los Angeles, where they raised two children, Ben and Audrey. Stanton is a Christian.
Stanton revealed in 2012, that he was diagnosed with attention deficit hyperactivity disorder when he was in the middle of writing John Carter.
Stanton is an Arsenal F.C. fan, and included a scene mimicking their famous offside trap among other Arsenal references in John Carter.
Career
Stanton began his career in animation in the late 1980s. He worked as an animator for Kroyer Films, and one of his early gigs involved animating sperm for a sex-ed film with Martin Short. Stanton was one of several CalArts graduates hired by John Kricfalusi to work on Mighty Mouse: The New Adventures at Ralph Bakshi's studio.
After being rejected by Disney three times, Stanton was hired by Pixar's animation group in 1990 as its second animator (John Lasseter being the first) and ninth employee. Back then Pixar was not yet an animation studio, and their animation group was dedicated to making television commercials as a step towards their goal of making the first computer-animated feature.
Stanton, Lasseter and Pete Docter drafted the original treatment for Toy Story, which bore little resemblance with the eventually finished film. After production of the film was shut down in late November 1993 following a disastrous test screening, Stanton retreated into a windowless office and extensively reworked the script with help from Joss Whedon. The resulting screenplay was nominated at the Academy Awards for Best Original Screenplay, the first nomination in that category for an animated film.
Following Toy Story, Lasseter asked Stanton to help him direct and write Pixar's next feature A Bug's Life. Early in the film's production, the film had difficulty incorporating the circus bug's portion of the story and the main character (Flik's) portion of the story. In a day, Stanton was able to write a screenplay that tied both concepts together. In 1999, Stanton returned to write Toy Story 2, the critically acclaimed sequel to Toy Story, and also voiced Emperor Zurg. He would then go on to write Monsters, Inc.. Docter, the director of Monsters, Inc., would cite him many times as the originator of the idea that monsters generated screams to use to power their city.