Over their needle-work the talk ran on, largely reminiscent in character, and mostly in a joyous strain. The young matron, Mrs. Larrimer Driscoll, was evidently no ready talker, but her interest was so vivid that she was a constant incitement to Joyce, who seemed to have broken bounds, and was by turns grave and gay, imperious and pleading in a succession of moods as natural as a child's and almost as little controlled. Presently she who has been referred to as Dodo's auntie, Miss Camille Bonnivel, entered and, after one swift look at the guest, who stood smilingly awaiting the outbreak of her astonishment, threw up both hands and flew across the room.

"Joyce!" she cried, "Joyce Lavillotte! So the proud heiress of a hundred acres--mostly marsh-land, but no matter!--has condescended to our low estate. Shall I go down on one knee, or two?"

Joyce's Investments — Part 9

"On four, if you have them, you gypsy! Come, kiss me and stop this nonsense. Dear! How you have grown, you tiny thing. You must be nearly to my elbows by this."

Joyce's Investments — Part 9

"Elbows! I'm well on towards five feet, I'll let you know. But you are superb, Joyce--'divinely tall and most divinely fair'; isn't that it? Come, stoop to me."

Joyce's Investments — Part 9

They kissed heartily, the dark little creature standing on tiptoe, while Joyce bent her head low, then Dodo claimed attention from "Cammy," and amid bursts of laughter and sometimes a rush of sudden tears, the talk flowed on, as it can only flow when dearest friends meet after long separation, with no estrangement and no doubts to dim the charms of renewed intercourse.

Joyce had not exaggerated when she spoke of the settlement about the Works as a desolate, unpicturesque, uninviting spot, and Camille had skirted the truth, at least, when she referred to the inherited acres as "marsh lands." Had she named them a desert instead, though, she would have been nearer correct, for is not a desert a "great sandy plain?" So was the site of the great factories known as the Early Glass Works. They seemed to have been set down with no thought but to construct--a shelter for costly machinery; as to those who worked it, let them manage anyhow. The buildings were massive and expensive where used to protect senseless iron and steel; low, squalid, and flung together in the cheapest way where used to house sentient human beings.