I should be interested to know now how the notion of authorship first crept into my mind, but I do not in the least know. I made verses, I even wrote plays in rhyme, but until I attempted an historical romance I had no sense of literature as an art. As an art which one might live by, as by a trade or a business, I had not the slightest conception of it. When I began my first and last historical romance, I did not imagine it as something to be read by others; and when the first chapters were shown without my knowing, I was angry and ashamed. If my father thought there was anything uncommon in my small performances, he did nothing to let me guess it unless I must count the instance of declaiming Hallock's _Marco Bozzaris_ before a Swedenborgian minister who was passing the night at our house. Neither did my mother do anything to make me conscious, if she was herself conscious of anything out of the common in what I was trying. It was her sacred instinct to show no partiality among her children; my father's notion was of the use that could be combined with the pleasure of life, and perhaps if there had been anything different in my life, it would not have tended more to that union of use and pleasure which was his ideal.
Much in the environment was abhorrent to him, and he fought the local iniquities in his paper, the gambling, the drunkenness that marred the mainly moral and religious complexion of the place. In _A Boy's Town_ I have studied with a fidelity which I could not emulate here the whole life of it as a boy sees life, and I must leave the reader who cares for such detail to find it there. But I wish again to declare the almost unrivaled fitness of the place to be the home of a boy, with its two branches of the Great Miami River and their freshets in spring, and their witchery at all seasons; with its Hydraulic Channels and Reservoirs, its stretch of the Miami Canal and the Canal Basin so fit for swimming in summer and skating in winter. The mills and factories which harnessed the Hydraulic to their industries were of resistless allure for the boys who frequented them when they could pass the guard of "No Admittance" on their doors, or when they were not foraging among the fields and woods in the endless vacations of the schools. Some boys left school to work in the mills, and when they could show the loss of a finger-joint from the machinery they were prized as heroes. The Fourths of July, the Christmases and Easters and May-Days, which were apparently of greater frequency there and then than they apparently are anywhere now, seemed to alternate with each other through the year, and the Saturdays spread over half the week.