The Great Plain was the place chosen for the measurement of our second base to check the accuracy of the triangulation carried up some sixty miles from its starting-point in the Jaffa plain. On the 2nd of September we laid out the line for a distance of four and a half miles, directing it on the white dome of Neby S'ain above Nazareth, and thus obtaining a prolongation for calculation of nearly six miles. The high hills east and west gave us a second line of fifteen miles almost at right angles, and from this, large well-shaped triangles were carried away to the north. The check was perfectly satisfactory, and the closing line, when calculated in 1876 at Southampton, had a margin of only twenty feet, which is an invisible distance on the one inch scale.
One of our trigonometrical stations was placed on a high hill above the smaller plain of 'Arrâbeh in which Dothan stands just south-west of the Great Plain. Here there is a chapel dedicated to Sheikh Shibleh, a famous Emir who in 1697 waylaid the traveller Maundrell. This writer remarks drily that after extorting black-mail, "he eased us in a very courteous manner of some of our coats, which now began to grow not only superfluous but burdensome.â The Emir died, and was canonised, and his tomb looks down from the stony hill-top on the scene of his former prowess; but he is not the only sainted bandit in the Syrian pantheon.
In returning from this ride we passed through the little Christian village of Burkîn, where we were hailed with a pleasure very different from the hollow courtesy of the Moslem natives. The old Khûri or curé hastened down to show us his church on the hillside, a small whitewashed room, with a stone screen on the east shutting off the apses, as in all Greek churches in the country, and with three entrances guarded by curtains. The silver plate and ewer were kept in the north apse, the altar stood in the central one; the church was very rudely built, about fifty feet square, with a dome some twenty feet high. Two stone lecterns held the books near the screen, and a stone chair on the south side had arms with rude dogs' heads carved on them. The pictures were all painted on wood in a stiff pre-Raffaelite style, with gaudy colouring dimmed by age. One represented the ascent of Elijah in a chariot with a red cloud beneath, and four winged horses harnessed to it, with traces looking like white tapes attached to the spokes of the wheels. Elisha below receives the mantle, and is again represented as at a greater distance striking Jordan with it, whilst a group of sons of the prophets stand like a shock of corn in a square block with gilded glories on their heads. Other pictures represented St. George, the Virgin, the Baptist with red wings and a title in Russian and Arabic characters, St. Nicholas, and the Saviour enthroned.