Nilsson recalled how when a little girl she had been admitted by the stage–door to one of Ole Bull’s concerts in Sweden, and how, while the artist stood talking to a friend, she had asked to look at his violin, which he left in her hands when called away for a moment. On venturing to draw the bow she found to her delight that it “almost played itself.”

The courtesy of Mr. Joseph Hellmesberger, Kapelmeister, with whom the artist played in public, was an incident of his stay which he remembered with much pleasure.

Ole Bull — Part 144

A visit was made to Pesth, where each day was sure to bring a charming note or thoughtful message from Liszt, whose kindly face often looked in upon his friend. The following missive was sent on the morning before Ole Bull left the city:—

Ole Bull — Part 144

MON ILLUSTRE,—Je vous prie amicalement de passer la soirée d’aujourd’hui avec Madame Ole Bull chez votre vieux collègue et dévoué ami,

Ole Bull — Part 144

(Il n’y aura pas de “violon” ni même de piano.)

At midnight, however, the violin was sent for at Liszt’s request, and not till after two o’clock in the morning did the company disperse. The walk to the hotel along the fine river embankment in the brilliant starlight, with the wonderful tones still sounding in one’s brain, cannot be forgotten. After a brilliant improvisation on the same motives which Ole Bull had chosen for the violin, Liszt had closed with a dreamy, tender nocturne.

The master’s real interest in his friend’s work was shown by his chiding him with warmth for the state of his musical manuscripts which he insisted on looking through, and which he earnestly entreated him to prepare for publication.

The following note brought Liszt himself in answer, and the last adieux were said:—

ILLUSTRE AMI,—En partant, le courage de vous remercier de vive voix de votre hospitalité princière me fait défaut. Vos précieux conseils, inséparables compagnons de votre âme, inséparables souvenirs de lumière de notre réunion après tant d’années d’épreuves, sont gage sincere d’amitié—gage et promesse en même temps! Ma chère femme, toute émue sous l’influence de votre génie si gracieux, me prie d’exprimer sa reconnaissance, et permettez–moi de souhaiter que l’Etre Suprême vous rende aussi heureux que possible; voila ce que désire ardemment