Jean's great desire is to meet "someone white." Yesterday I saw a horseman approaching in European riding kit and a topi. "Look, Jean," I said, "I believe that is an Englishman" but when he came up to us and raised his topi with a flourish Jean said mournfully, "No, it's nobody white," and I had to pick her up hurriedly in case she should say something more to hurt the poor Eurasian.

When we come in from our walk it is tiffin-time. After that the children are put to bed, and I sit in the verandah and write and rest. Did I say rest? This is what goes on:

Olivia in India — Part 59

I go into the nursery, and Jean, very wide awake, demands a needle and thread, as she wants to sew a dress for Topsy. I tie a piece of thread into a large darning-needle and supply her with my handkerchief, which she proceeds to sew into a tight ball. I return to my writing.

Olivia in India — Part 59

"Olivia, if this bungalow fell into the tank would it splash out all the water?"

Olivia in India — Part 59

"Then what would the water do when it fell back from the splash and found the bungalow blocking up its tank?"

Unable to think of an answer, I tell him to be a good boy and not disturb people when they are writing. Ronald begs for a piece of paper and a pencil, and having got it, proceeds to write down everything beginning with G. I once told Peter to do that, and his list when I looked at it ran: "God--Gollywog--Gordon Highlanders."...

Immediately I resume my writing it begins again, "Olivia" in every tone, peremptory, beseeching, coaxing--but like the deaf adder I stop my ears and refuse to hear. I am using this opportunity to write my great work on the Mutiny, and it isn't nearly so easy to write a book as I thought. No matter how much I try, my sentences seem all to stand up on end. I can't acquire any ease or grace of style. I read somewhere lately that young writers use too many adjectives, that good writers depend more on verbs. It has made me rather nervous and I keep counting both, but a certain dubiety in my own mind as to which is which greatly complicates matters. My heroine, too, is a failure, I like her name--Belinda--but it is the only thing I like about her. What is the good of me laboriously writing down that she is beautiful and charming when I am convinced in my own mind she is nothing of the kind? However, I mean to persevere....