"Forte!" he muttered. "Andante! let yourselves go! Sing, you image! Tenors, you don't bring it off! To-to-ti-to-tom. . . . Sol . . . si . . . sol, I tell you, you blockhead! Glory! Basses, glo . . . o . . . ry."

His bow travelled over the heads and shoulders of the erring trebles and altos. His left hand was continually pulling the ears of the young singers. On one occasion, carried away by his feelings he flipped the bass Gennady under the chin with his bent thumb. But the choristers were not moved to tears or to anger at his blows: they realised the full gravity of their task.

Love and Other Stories — Part 113

After the "concert" came a minute of silence. Alexey Alexeitch, red, perspiring and exhausted, sat down on the window-sill, and turned upon the company lustreless, wearied, but triumphant eyes. In the listening crowd he observed to his immense annoyance the deacon Avdiessov. The deacon, a tall thick-set man with a red pock-marked face, and straw in his hair, stood leaning against the stove and grinning contemptuously.

Love and Other Stories — Part 113

"That's right, sing away! Perform your music!" he muttered in a deep bass. "Much the Count will care for your singing! He doesn't care whether you sing with music or without. . . . For he is an atheist."

Love and Other Stories — Part 113

Father Kuzma looked round in a scared way and twiddled his fingers.

"Come, come," he muttered. "Hush, deacon, I beg."

After the "concert" they sang "May our lips be filled with praise," and the choir practice was over. The choir broke up to reassemble in the evening for another practice. And so it went on every day.

One month passed and then a second. . . . The steward, too, had by then received a notice that the Count would soon be coming. At last the dusty sun-blinds were taken off the windows of the big house, and Yefremovo heard the strains of the broken-down, out-of-tune piano. Father Kuzma was pining, though he could not himself have said why, or whether it was from delight or alarm. . . . The deacon went about grinning.

The following Saturday evening Father Kuzma went to the sacristan's lodgings. His face was pale, his shoulders drooped, the lilac of his cassock looked faded.

"I have just been at his Excellency's," he said to the sacristan, stammering. "He is a cultivated gentleman with refined ideas. But . . . er . . . it's mortifying, brother. . . . 'At what o'clock, your Excellency, do you desire us to ring for Mass to-morrow?' And he said: 'As you think best. Only, couldn't it be as short and quick as possible without a choir.' Without a choir! Er . . . do you understand, without, without a choir. . . ."