ATTITUDE. The subject in love with a married man, had long hoped that he would secure a divorce and marry her. She often went motoring with him. Their affair was not satisfactory, however, and she had often considered the possibility of a separation.

The situation is handled in the dream as follows. She has had her way and is running the car from her usual seat (he has come to her point of view) but she has misgivings about the experiment (unconsciously, she is not very keen any more to marry him); she tries to park in front of a house (their future home); red lanterns (danger signs, obstacles, law, custom) prevent her from doing so. She then starts out without him and asks her analyst for advice. He encourages her to go on her way but she reaches a deserted place and feels so forlorn, so hungry for human company that she escapes from the nightmare through awaking.

Psychoanalysis — Part 48

Even when no change is observable in a patient's condition in the course of an analysis, constant attention to his dreams will enable the analyst to notice unconscious changes which very soon afterward translate themselves into a conscious modification of attitude.

Psychoanalysis — Part 48

The following dreams illustrate that point:

Psychoanalysis — Part 48

At the beginning of the analysis a patient, following in his dreams as well as in his neurosis, the line of least effort, dreamt he had solved a mechanical problem by means of a very simple apparatus consisting in a rocking chair, two thumb tacks and an old rubber coat. Later when he resumed closer contact with life, the machinery of his dreams became real machinery and he continued in his sleeping thoughts the calculations which had occupied him during the day and which to him were a constant source of pleasure.

A patient whose ambition was to become a singer but whose husband was decidedly hostile to her plans, first brought me the following dream in which she frankly relied on me for advice:

"I am on the stage, singing. I forget my part. A foreign looking conductor prompts me. In the wings, a man is looking at me, weeping. He falls in a faint. I rush to him. He looks like my husband. A foreign looking doctor picks him up and says to me: 'He will sleep now, after which he will feel better.' I go back to the stage and sing beautifully."