Brunt had several talks with Vandover and easily induced him to sell. "You can figure it out for yourself, Mr. Vandover," he said, as he pointed out his own calculations to him; "property has been going down in the city for the last ten years, and it will continue to do so until we can get a competing railroad through. Better sell when you can, and twenty-five thousand is a fair price. Of course, you will have to pay off the mortgage; you won't get but about fifteen thousand out of it, but at the same time you won't have to pay the interest on that mortgage to the banks; that will be so much saved a month; add that to what you could get for your fifteen thousand at, say, 6 per cent., and you would have a monthly income nearly equal to the present rent of the house, and much more certain, too. Suppose your tenant should go out, then where would you be?"
"All right, all right," answered Vandover, nodding his head vaguely. "Go ahead, _I_ don't care." He parted from his old home with as much indifference as he had parted from his block in the Mission.
Vandover signed the deed that made him homeless, and at about the same time the first payment was made. Ten thousand dollars was deposited in one of the banks to his credit, and a check sent to him for the amount. The very next day Vandover drew against it for five hundred dollars.
At one time he had had an ambition to buy back his furniture from the huge apartment house in which he had formerly lived, and with it to make his cheerless bedroom in the Lick House seem more like a home. He felt it almost as a dishonour to have strangers using this furniture, sitting in the great leather chair in which the Old Gentleman had died, staring stupidly at his Renaissance portraits and copies of Assyrian _bas-reliefs_. Above all, it was torture to think that other hands than his own would tend the famous tiled and flamboyant stove, a stove that had its moods, its caprices, like any living person, a stove that had to be coaxed and humoured, a stove that he alone could understand. He had told himself that if ever again he should have money enough he would bring back this furniture to him. At first its absence had been a matter for the keenest regret and grief. He had been so used to pleasant surroundings that he languished in his new quarters as in a prison. His indulgent, luxurious character continually hungered after subdued, harmonious colours, pictures, ornaments, and soft rugs. His imagination was forever covering the white walls with rough stone-blue paper, and placing screens, divans, and window-seats in different parts of the cold bare room. One morning he had even gone so far as to pin about the walls little placards which he had painted with a twisted roll of the hotel letter-paper dipped into the inkstand. "Pipe-rack Here." "Mona Lisa Here." "Stove Here." "Window-seat Here." He had left them up there ever since, in spite of the chambermaid's protests and Ellis' clumsy satire.