'Eh!' he said once to Elshender, during a pause common to a thunder-storm and a lesson on the violin 'eh! wadna ye like to be up in that clood wi' a spaud, turnin' ower the divots and catchin' the flashes lyin' aneath them like lang reid fiery worms?'
'Ay, man, but gin ye luik up to the cloods that gait, ye'll never be muckle o' a fiddler.'

This was merely an outbreak of that insolence of advice so often shown to the young from no vantage-ground but that of age and faithlessness, reminding one of the 'jigging fool' who interfered between Brutus and Cassius on the sole ground that he had seen more years than they. As if ever a fiddler that did not look up to the clouds would be anything but a catgut-scraper! Even Elshender's fiddle was the one angel that held back the heavy curtain of his gross nature, and let the sky shine through. He ought to have been set fiddling every Sunday morning, and from his fiddling dragged straight to church. It was the only thing man could have done for his conversion, for then his heart was open. But I fear the prayers would have closed it before the sermon came. He should rather have been compelled to take his fiddle to church with him, and have a gentle scrape at it in the pauses of the service; only there are no such pauses in the service, alas! And Dooble Sanny, though not too religious to get drunk occasionally, was a great deal too religious to play his fiddle on the Sabbath: he would not willingly anger the powers above; but it was sometimes a sore temptation, especially after he got possession of old Mr. Falconer's wonderful instrument.

'Hoots, man!' he would say to Robert; 'dinna han'le her as gin she war an egg-box. Tak haud o' her as gin she war a leevin' crater. Ye maun jist straik her canny, an' wile the music oot o' her; for she's like ither women: gin ye be rouch wi' her, ye winna get a word oot o' her. An' dinna han'le her that gait. She canna bide to be contred an' pu'd this gait and that gait.--Come to me, my bonny leddy. Ye'll tell me yer story, winna ye, my dauty (pet)?'

And with every gesture as if he were humouring a shy and invalid girl, he would, as he said, wile the music out of her in sobs and wailing, till the instrument, gathering courage in his embrace, grew gently merry in its confidence, and broke at last into airy laughter. He always spoke, and apparently thought, of his violin as a woman, just as a sailor does of his craft. But there was nothing about him, except his love for music and its instruments, to suggest other than a most uncivilized nature. That which was fine in him was constantly checked and held down by the gross; the merely animal overpowered the spiritual; and it was only upon occasion that his heavenly companion, the violin, could raise him a few feet above the mire and the clay. She never succeeded in setting his feet on a rock; while, on the contrary, he often dragged her with him into the mire of questionable company and circumstances. Worthy Mr. Falconer would have been horrified to see his umquhile modest companion in such society as that into which she was now introduced at times. But nevertheless the soutar was a good and patient teacher; and although it took Robert rather more than a fortnight to redeem his pledge to Shargar, he did make progress. It could not, however, be rapid, seeing that an hour at a time, two evenings in the week, was all that he could give to the violin. Even with this moderation, the risk of his absence exciting his grandmother's suspicion and inquiry was far from small.





